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| DIY Subwoofers - Sealed and Ported SoundSplinter vs MaelstromDiscuss SoundSplinter vs Maelstrom in the DIY Speakers and Subwoofers forum; SoundSplinter vs Maelstrom Which one would fit better in a big llt box, the Soundsplinter rl-p 18" or the maelstrom-x 18"?
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| SoundSplinter vs Maelstrom Which one would fit better in a big llt box, the Soundsplinter rl-p 18" or the maelstrom-x 18"? I an looking for low bass and that it's able to play pretty loud. The soundsplinter is a little more pricy, but is it actually better? I think I would run them with this http://marathonaudio.com/mamamaprosea3.html | |||
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| Re: SoundSplinter vs Maelstrom Here are the SS Rl-p18 sub specs: Dual 4 Ohm Measurements Qts: 0.436 Qts: 0.493 Mounting Depth: 26 cm Qes: 0.482 Qes: 0.554 Total Depth: 26.5 cm Qms: 4.535 Qms: 4.500 Outside Diameter: 46.7 cm Fs: 20.71 Hz Fs: 21.5 Hz Weight: 41 lbs Re: 3.74 Ohm Re: 6.26 Ohm Magnet Width: 18.8 cm Ls: 3.317 mH Ls: 4.341 mH Mounting Cutout: 43.2 cm Rp: 7.629 Rp: 10.27 Displacement: 0.2 cu ft Vas: 314.2 L Vas: 276 L Mms: 376.7 g Mms: 373 g Cms: 156.7 u Cms: 137.7 u Bl: 19.50 T*m Bl: 24.25 T*m SPL: 89.45 dB SPL: 89.25 dB Sd: 0.1188 m^2 Sd: 0.1188 m^2 Xmax: 27.4 mm Xmax: 27.4 mm 500 - 1000 watts RMS range The Maelstrom-X Pre-Production Parameters: Fs: 17.7 Hz Le: 0.87mH Re: 3.1 Ohms (Voice Coils wired in parallel) Qms: 7.8 Qes: .38 Qts: 0.36 Mms: 494g Cms: 0.17 mm/N Vas: 324L Sd: 1182 cm^2 Vd: 7.8L BL: 21.17 X-max: 33mm X-mech: 42mm Pmax: 1500W Prices are comparable with a bit more for the RL-p18. I have been playing with WinISD and got some shots for you below. According to WinISD, It seems they have both quite similar performance, with the RL-P18 a bit more efficient, and slightly louder. The Maelstrom X can be tuned like 1 hz lower and could have a slightly smaller enclosure than the RL-P18 I have dual of those and you really can't go wrong with Sound Splinter. I do not know the Maelstrom X but it looks like a good sub. But the Soundsplinter would be more tempting for me. Note: The Rl-P18 is in green, 2000 W signal applied, cone excursion and port velocities are assumed RMS (closer to realprogram material). Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom The Marathon amp looks pretty robust... How much does it cost? Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| | Re: SoundSplinter vs Maelstrom Quote:
What box volume and tuning frequency did you use? We're all in this together! | ||||
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| Re: SoundSplinter vs Maelstrom Hi Mike, Did I forget to mention that? I used 600 L and 14 Hz Tune for the RL-P18, 500 L and 13 Hz Tune for the other.Both with 8" port by the way. A 13 Hz tune for the Malstrom in that size box might be a little tricky (about 1 m long), a 14Hz tune for the RL-p18 in a 600 L box would be about 67 cm only... and that's another reason why I would prefer the Soundsplinter. Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom All we can do is speculate at this stage for the Maelstrom, but keep in mind I used the terms "Pre-production parameters" and "according to WinISD" ![]() I still find the R-LP18 more suited for an LLT application with a huge box... Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom Quote:
![]() Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | ||||
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| Re: SoundSplinter vs Maelstrom Yeah I understand you meant nothing wrong. But unless there is a complete re-design of the driver, the assumptions based on pre-production data can be considered safe enough for a modelling... But if they change the parameters, that is sure another story ![]() Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom I have edited the graphs to show the Frequency axis. Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom Yeah! It hasn't yet. WinISD expects 88.7 db based on the other preliminary parameters. Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom Nothing wrong with a smaller box. The only problem is integrating the port. Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom Very cool. Rl-p 18 = more efficient in the higher frequencies Maelstrom = appears to have a more linear FR What happens when you use the same exact Volume/Tuning for both drivers? Don't have the time to do the modeling myself plus im lazy lol.If you don't have a BFD for your sub, get one fast! If you don't have REW, get it now! | |||
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| Re: SoundSplinter vs Maelstrom The Maelstrom becomes too much bottom heavy with a bump around tuning. Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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| Re: SoundSplinter vs Maelstrom Maelstrom looks better for small sealed and PR. It also looks good for medium vented with tuning's above 15hz. RLP18 needs more volume sealed, but has the advantage for large and low tuned vented. It is much easier to get sub 16hz tunes out of it. RLP appears it may have a bit better build quality overall for those who care about those things. | |||
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| Re: SoundSplinter vs Maelstrom I was tempted to say that from the pics, but I only really know the RL-P18. It is robust and very high quality. Yamaha RX-V2500, Wharfedale Diamond 9.6 Fronts, Wharfedale Diamond CM Center, Diamond DFS Surround and rear, Behringer FBQ 2496, Dual RL-P18s 625L LLTs, Dual TA-2400 Pro (2 * 2000 W Amp), Samsung HD870 DVD player, Carada BW 16:9 106" screen, Epson TW-2000, 60 Gb PS3 Important HT proverbs: - "You can never have too much headroom" (talking about bass) - "you can never have too big a screen" (talking about still pictures) Projector selection basics Epson TW 2000 review | |||
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