Home Theater Systems - Electronics and Forum - HomeTheaterShack - Home Theater Receivers | Processors | Amps

Which HT receiver features do you suggest?

paulspencer — Fri, 20 Nov 2009 12:52:56 GMT

Which features do you suggest in a receiver?

I have a pretty short list including:
* pre outs on all channels
* component video inputs
* component video upconversion
* 4 ohm stable preferred

I'm sure many of you could suggest a lot of features I haven't considered. Which features matter to you? And in particular, which do you consider to be indispensible?

Looking for a cheap receiver that pulls audio from HDMI

BolognaBlake — Thu, 19 Nov 2009 21:57:19 GMT

Just as the title states, I'm looking for a cheap receiver that can pull audio from an HDMI source.

I have my TV mounted to the wall, and I ran HDMI cables through the wall when I was putting drywall up. I want to run my XBOX360 through my receiver, but my current Harmon Karmon AVR147 doesn't pull audio through HDMI, and my XBOX doesn't have another source for audio.

I've done some searching on the forum, but I haven't seen someone looking for some as basic as that.

I'm just looking for 5.1, doesn't have to be super powerful, and some type of Dolby Pro Logic II. Probably looking to spend less than $300.

Thanks for any suggestion you guys may have.

any Emotiva UMC-1 updates?

steiny93 — Wed, 18 Nov 2009 15:12:42 GMT

I see that per their site: http://emotiva.com/umc1.shtm the UMC-1 is slated to now ship in November

anyone have any info / insight into if that is real or not, lots of anticipation building on this one

thanks

Silver vs Black

Samas — Mon, 16 Nov 2009 19:30:14 GMT

Why are silver receivers generally cheaper?

Is it just supply and demand? Less people are interested in buying a silver receiver?

Pioneer vsx 91thx or vsx 23thx?

The Sloth — Mon, 16 Nov 2009 03:50:39 GMT

What are the pros and cons of these two units?

Marantz NR1501 "Slimline" Review

KASR — Thu, 12 Nov 2009 16:21:43 GMT

Features:

7 ch Discrete Analog Amplifier (50 watts x 7) in Slim Design Chassis
HDMI 1.3 x4 Inputs / x1 Output
Decoding of Dolby TrueHD, dts-HD Master Audio
Video Converter for All Analog Sources to HDMI
Independent Audio Board for Improved Sound
Simple Set-up with MRAC Auto Calibration
Component Video x3 Inputs / x1 Output
Analog Audio Inputs x5, Digital Audio Inputs x3
Marantz Remote D-Bus In/Out Jacks
Detachable Power Cord
On Screen Display for Setup through HDMI out
Glow Key, Precode Remote Control

I just bought this two days ago and I am still learning the intricacy of the setup and calibration - I'll be able to give a better review once I've had time to real dig into it's nuances.

However, at first glance: I do like the look and full of the receiver - I was surprised by how short this receiver truly was. The Harman Kardon AVR154 that I previously owned was easily double the height.

The OSD is easy to configure - I did have to allow for alittle acclimation as it was slightly different than the H/K OSD - with that said, the Marantz OSD seemed dumbed down and remedial...perhaps it simply doesn't need as much configuring head-room...I'm not sure yet. I'll continue to tinker.

The audio codecs shine here - full suite of Dolby and DTS, including the TrueHD and Master Audio lossless codecs. I have set up my two other surrounds for full 7.1 and perhaps that is why Dolby Digital ES sounded much more dramatic than when I switch to TrueHD (Bourne Ultimatum) ... again, some tinkering is in store.

Let's talk about what I don't like: no pre-amp outs mean no headroom for expansion in the amplification area (which I may not need since the room I currently have setup doesn't need that much power pumped through the soundstage....unless I'm trying to peel paint off the walls!)
Secondly, no 5.1 analog inputs...however, since I am going full HDMI, this isn't really a huge issue.
Third: no zone two or zone three. Again, since I'm planning on doing 7.1, this isn't a show stopper - however, I was kinda looking forward to setting up a second area, perhaps the back patio, with some speakers.

Buying the Marantz over the H/K AVR1600 or even the more feature-rich AVR254 was truly a leap of faith. I've heard of the brand name, I like what I've heard about them, yet there were some sacrifices when I picked it out. If worse comes to worse, I still have a highly desirable brand name that will serve me well in the 2nd-hand sell-off area. Let's hope it shines, so I don't have re-wire!

I'll submit another review once I've had time to truly settle it in - till then, I remain luke warm.

Input on an amplifer

Spadez — Mon, 09 Nov 2009 09:43:50 GMT

Hi,

Ive built my own sub woofer with integrated O-audio bash plate amp. I currently have a 2.1 setup with 2x Gallo Orb speakers but im looking to expand this system to a 5.1 or 7.1 setup. Most of the time the sound will be coming out my computer. Ive been told that I need an amplifer and not a receiver, and also that a separate amplifier will usually out perform a receiver in the same price range. Is this true?

My budget is around $100-$350. I would like something that can do the job, sound great, and in an ideal world look pretty cool too, since it will be on display. Can anyone recommend me one?

James

P.s Im also in the UK so it needs to run on 240V

Arcam FMJ AV888 Processor: Official Thread

recruit — Sat, 07 Nov 2009 09:59:38 GMT

In Detail

Since the early 1990’s, Arcam has been dedicated to bringing high fidelity sound to the world of home cinema. Using audio technology usually reserved for audiophile stereo equipment, Arcam have pushed the boundaries for combined music and movie reproduction. The AV8 and AV9 AV processors have won numerous awards for sound and video quality around the world while Arcam’s audiophile AV receivers have gained wide critical acclaim in the more affordable sector.

Wolfson 8741 Digital to Analogue converters are deployed across all eight channels bringing ultra linear conversion of digital audio signals. Individual, multi-regulated power supplies feed all critical audio stages with studio grade Burr Brown DRV134 balanced line drivers used for balanced audio outputs to drive longer cable runs or active speaker configurations with extreme fidelity

To help eliminate the large volume jumps often found in broadcast TV sound user selectable Dolby Volume* processing is included, a world’s first for an AV processor. In addition Dolby Volume includes programme dependant tonal correction to deliver a richer, more realistic sound experience at low listening levels.

The AV888s internal video processing delivers sublime video using broadcast quality scaling and frame rate conversion from Pixelworks. Up-conversion of all video inputs to HDMI output at all commonly used standard or high definition resolutions is possible making system integration a simple affair. Full RS232 and IR connectivity are deployed along with IP control and dedicated interface for control and audiophile playback of iPods using the rDock or rLead.

Arcam’s world wide reputation for sound quality has come from over thirty years of experience and legendary attention to detail. All of this experience has been brought to bear in the development of the AV888 and as a result its sound quality is simply world-class. No matter what the program material, from the most explosive block blockbuster action to the most subtle musical detail, the AV888 will delivers simply breathtaking performance

Analogue Audio

* Audiophile quality components for best sound quality
* Multi-channel 7.1 analogue input for DVD-A or SACD sources
* Stereo direct mode bypasses and disables all digital processing for 2 channel analogue sources
* 9 stereo analogue inputs (including one MM phono input & front 3.5mm AUX input)
* Zone 2 stereo audio, from analogue inputs (Source and volume control independent from main zone)
* Zone 3 stereo audio, from analogue inputs, linked to Zone 2, volume control independent
* Support for iPod via Arcam rLead / rDock (independent of RS232 connection)

Digital Audio

* State of the art Analog Devices ADSP-21366 & ADSP-21367 DSPs for surround decoding
* Wolfson 8471 high end 24bit 192kHz audio DACs
* Crystal Semiconductor stereo ADC and precision electronic volume controls
* Burr Brown DRV134 Balanced line drivers
* Dolby TrueHD, Dolby Digital+, Dolby Digital EX, Dolby Pro Logic IIx, DTS HD Master Audio*
* DTS High Resolution Audio, DTS-ES Discrete, DTS-ES Matrix, DTS96/24, DTS Neo:6**
* Dolby Volume gain management and Tonal correction processing*
* Dolby Volume processing for balancing of program material gain and tonal balance
* Adjustable crossover switching 40Hz, 60Hz, 80Hz, 100Hz, 120Hz, 150Hz
* 8 digital inputs 4 rear optical, 3 co-axial, 1 front 3.5mm optical AUX input
* Global audio delay, adjustable from 0-1000 milliseconds, to compensate for video processing delays in digital displays and sources with auto lip-sync for compatible displays

Video

* 5 HDMI inputs (up to 1080p, Deep Colour)
* 2 HDMI outputs (up to 1080p, Deep Colour)
* 5 Component inputs, one monitor output (up to 1080i)
* 5 S-video inputs, one monitor output, 2 tape outputs
* 5 Composite video inputs, one monitor output, 2 tape outputs
* Full video up/down conversion & frame rate conversion of all inputs where technically allowed
* Video enhancements (per input): Edge enhancement, Mosquito noise reduction, Random noise reduction, Block noise reduction

Custom Install Features

* Independent Zone 2 (audio & video), with fixed/variable volume
* Zone 3 audio with fixed/variable volume (follows Zone 2)
* Balanced audio outputs (XLR) for long cables or active speakers
* RC-5 remote input jacks for all three zones
* IP control over Ethernet
* IR pass through for source components
* Full suite of discrete IR RC-5 codes, including separate on / off etc
* 12Volt triggers, on / off for zones 1, 2 and 3
* Full duplex RS232 control input for more complex control systems
* Audio streaming and Internet radio via Ethernet port

General

* Supplied with back-lit CR102 learning remote
* control with support for up to 7 other components and a huge on-board code library
* Large, high contrast dimmable VFD front panel display
* User switchable between 120 & 230 volt
* mains supplies
* Size – 435mm (17.1in) wide, 415mm (16.3in)
* deep, 185mm (7.3in) high
* Weight 12kg (26.5lbs) nett, 17kg (37.5lbs) packed

Arcam FMJ AV888 Owners Manual

Arcam FMJ AV888 Processor Review at the Shack

NAD M15 HD AV Surround Sound Preamplifier: Official Thread

recruit — Sat, 07 Nov 2009 09:38:19 GMT

MASTER PERFORMANCE IN HIGH DEFINITION

When the M15 was introduced in 2005 it redefined the performance and value expectations for consumers worldwide. With a string of rave reviews and awards including the prestigious EISA Award for ‘Best Home Cinema’, the M15 has become a classic in its own right. There is now a new generation of video source and display products that support high resolution video and high definition audio. The new M15 HD has been re-engineered to take full advantage of these new High Definition formats. We have also added some interesting new features to enhance your enjoyment and protect your investment.

4 Digital HD AV Inputs with HDMI Repeating
4 Analogue AV Inputs with Composite and S-Video
3 HD Component Video Inputs
4 Coax and 4 Optical Digital inputs
3 Analogue Stereo Inputs
7.1 Direct Analogue Input
Dolby TrueHD, DTS HD Master Audio, Linear PCM will run at 192kHz; Dolby Digital Plus, DTS HD High Resolution Audio, DTS 96/24
DTS Neo:6 [Cinema/Music], Dolby ProLogic IIx [Movies/Music], EARS, Enhanced Stereo
Audyssey MultEQ Pro
Video upconversion; Composite and S-Video inputs available on Component Video output and HDMI output
Sigma VXP Image Processing with HD scaling to 1080p
MP Data Port for connection to NAD Dock for iPod
Lip sync compensation – (option to 200mS)
Flexible Bass Management including individual crossover frequencies for Front, Centre, and Surround speakers
Tone controls
RS-232 interface for advanced custom installations
12V Triggers for advanced control options, 1 In and 3 Out
3.5mm IR Control jacks, 1 In and 4 Out
Zone 2 Independent AV output
Zone 3 and Zone 4 Independent Audio output
Dual differential 24-bit, 192 kHz DACs
Dynamic Headroom Scaling foroptimum resolution and S/N ratio for all program and decoding combinations
Switch Mode Power Supply for Digital Audio and Video Stages
Linear Power Supply with Custom C-Core Transformer for Analogue Audio Stages
Detachable AC cord
8 Device HTRM Illuminated Learning Remote control with LCD display
ZR 5 Second Zone Remote

Price Approx $4000

Rotel RSP-1570 7.1 Home Theater Surround Processor/Preamplifier: Official Thread

recruit — Sat, 07 Nov 2009 07:41:00 GMT

For those who desire the ultimate performance and maximum flexibility from their home theater, the RSP-1570 is the surround preamp/processor to own. All of Rotel’s renowned audio experience has been poured into this design to provide you with the very best in audio and video reproduction. The RSP-1570 features HDMI 1.3 connections with 1080p / 24 Hertz compliance, a dual 32 bit DSP processor and 24 bit/192kHz digital-to-analog convertors. It supports the new “Deep Color” and xvYCC video options. This superbly designed component is easy to set up and use and is a custom installer’s friend with rear panel bi-directional RS-232 ports, assignable 12-volt triggers and multiple IR connections. The RSP-1570 can also be used as a “whole house” audio system with its additional multiroom audio outputs.

Model RSP-1570
THD (20-20,000Hz) 8 ohms, all channels driven
<0.05%

IM Distortion
<0.05%

Frequency Response (+/-1 dB)
10Hz-120kHz, +/- 3 dB (line level)
10Hz-95kHz +/- 0.3 dB (digital level)

S/N Ratio (IHF A)
95 dB (Stereo) Analog 92 dB (Dolby Digital, dts) OdBFs

Input Sens. / Impedance
Line Level, 200mV / 100 kohms

Tone Controls (Bass/Treble)
+/- 6 dB at 50 Hz / 15kHz

Preamp Output Levels
1.0V / 250 ohms

Frequency Response
3 Hz - 100MHz, +/- 3 dB

S/N Ratio
45 dB

Input Impedance
75 ohms

Output Level
1 volt

Power Consumption
60 watts

Power Consumption (Standby)
5.5 watts

Power Requirements
120 volts, 60Hz (USA version)
230 volts, 50Hz (CE version)

Weight (net)
9.6 kg / 22 lbs.

Dimensions
431mm x 144mm x 335mm

Dimensions inches
17 x 5 5/8 x 13 2/8 in

Front Panel Height
3U / 132.6mm / 5 2/8 in

Rotel RSP-1570 Owners Manual

Rotel RSP-1570 Data Sheet

Arcam FMJ P777 Multi Channel Power Amplifier: Official Thread

recruit — Fri, 06 Nov 2009 22:03:34 GMT

In Detail

Having gained a world class reputation for amplifier design over thirty years, Arcam introduce the P777 multi channel amplifier for home cinema and music reproduction. Using technology honed thorough the development of dozens of award winning amplifiers, the P777 is the company’s highest performing multi channel amplifier yet.

Subtle detail is retrieved with startling realism even though the P777 is a true power house amplifier with huge output potential. Over 1.6kW of continuously available power is available to drive loudspeakers with clarity and precision and control. Substantial heat sinking and a computer controlled fan cooling system ensure it remains cool even under extreme duress with an predominantly aluminium construction ensuring chassis temperatures are kept low while electro-magnetic interference is kept away from delicate audio signals.

The Two oversize toroid power transformers feed the seven power amplifier channels with separate secondary windings for each channel. The centre channel, often the most important as it carries dialogue information, is fed from both transformers for maximum performance. “Soft Start” circuit is deployed to reduce inrush load on the incoming mains supply at switch-on with the toroid standby transformer and control circuits kept in their own aluminium enclosure for additional screening.

The P777 is one of the finest multi channel amplifiers in the world and is specifically designed for the most ardent home cinema enthusiast or advanced custom installer. Available in black or silver finish, the P777 comes with Arcam’s five year FMJ warranty.

Audio

7 x 150 watts per channel (8 ohms, 20Hz-20kHz, all channels driven)
7 x 230 watts per channel (4 ohms, 20Hz-20kHz, all channels driven)
Peak output current +/- 30amps per channel
Modular construction with seven independent and fully isolated channels
Four Sanken heavy duty bi-polar output transistors per channel
Advanced current feedback design with high slew rate and very low distortion at all audio frequencies
Predominantly aluminium chassis and casework for best sound quality
Comprehensive protection circuitry
- DC offset protection
- VI limiting on each output stage
- Software controlled thermostatic fan
- Over temperature protection

Inputs and Outputs

Balanced (XLR) input connections
Unbalanced (RCA) inputs with “loop through” output
12v Trigger (3.5mm mono jack) input for standby control

Power Supply Features

Balanced (XLR) input connections
Twin 1500 VA toroidal power transformers with separate secondary’s for each power amplifier
Separate low noise toroid transformer for standby operation
140,000 micro-farads total reservoir capacitance
“Soft Start” turn on system to prevent large inrush currents

Custom Install Features

12v trigger input (3.5mm)
Heavy duty IEC power inlet
Middle Atlantic rack shelf available
Balanced and unbalanced inputs
Unbalanced input “loop though” connection
Large and quiet temperature controlled fan

General

Available in black or silver finish
Size – 435mm (17.1in) wide, 460mm (18.1in)
deep, 185mm (7.3in) high
Weight 31kg (68.3) nett, 35kg (81.6lbs) packed

Arcam FMJ P777 Owners Manual

Onkyo TX-NR807/TX-SR707/TX-SR607/TX-SR 507 -7.2-Channel A/V Surround Receivers: Official Thread

recruit — Fri, 06 Nov 2009 08:33:56 GMT

Onkyo TX-NR807 Description

The TX-NR807 brings together the very latest mid-range home-theatre functionality and adds one major upgrade: networking capability. An Ethernet port on the TX-NR807 allows it to receive and output audio files playing in real-time on your PC. Alternatively, you can bypass your PC and enjoy a direct connection to streaming internet radio stations such as Last.fm* and vTuner. Naturally, the TX-NR807 also handles all of your high-definition audio and video sources - courtesy of six HDMI™ 1.3a inputs - and upscales any video input to 1080p via Faroudja DCDi Cinema™. This powerful THX� Select2 Plus™ Certified receiver also comes with Audyssey DSX™ and Dolby� Pro Logic� IIz, two new surround-sound formats that expand the spatial dimensionality of games and movies. Meanwhile, Audyssey roomcorrection and equalization technologies help ensure a convincing and detailed audio performance, regardless of the volume level or the shape of your room. An intelligent customizable remote controller puts the finishing touch to what is another benchmark-setting allround performer from Onkyo.

ADVANCED FEATURES

THX� Select2 Plus™ Certified with THX Loudness Plus™
DTS-HD Master Audio™, DTS-HD High Resolution Audio™, DTS-HD Express, Dolby� TrueHD, Dolby� Digital Plus, Dolby� Pro Logic� IIz Decoding
HDMI™ Version 1.3a to Support Deep Color™, x.v.Color™, LipSync, Dolby TrueHD, DTS-HD Master Audio, DVD-Audio, Super Audio CD, Multichannel PCM, and CEC
Audio and 1080p Video Processing via HDMI (6 Inputs and 1 Output)
HDMI Video Upscaling to 1080p with Faroudja DCDi Cinema™
Push-Pull Amplification Design with Three-Stage Inverted Darlington Circuitry
Burr-Brown 192 kHz/24-Bit DACs Improve Jitter Performance for Clear Sound
Two TI 32-Bit DSP Chips for Advanced Processing
Audyssey DSX™ for New Surround Channels
Audyssey MultEQ™ to Correct Room Acoustic Problems and to Calibrate Speakers
Audyssey Dynamic Volume™ to Maintain Optimal Listening Level and Dynamic Range
Audyssey Dynamic EQ™ for Loudness Correction
4 DSP Modes for Gaming: Rock, Sports, Action, and Role Playing Game (RPG)
Network Capability for Streaming Audio Files (MP3, FLAC, Ogg Vorbis, AAC, WMA Lossless)
Internet Radio Connectivity (Last.fm* and vTuner)
Certified DLNA Version 1.5
Firmware Updates via Network
Powered Zone 2 and Zone 3 for Playback of Separate Sources in Other Rooms
Universal Port for Single-Cable Connection of Optional Onkyo Dock for the iPod or DAB+ Radio Tuner
Dual Subwoofer Pre Outs

AUDIO & VIDEO FEATURES

180 W/Ch at 6 Ω, 1 kHz, 1 Channel Driven, IEC
H.C.P.S. (High Current Power Supply) Massive High Power Transformer
WRAT (Wide Range Amplifier Technology)
Linear Optimum Gain Volume Circuitry
DTS-ES™ Discrete/Matrix, DTS Neo:6�, DTS 96/24™, Dolby� Digital EX™ Decoding
DTS Surround Sensation� Speaker/Headphone Technolog
Music Optimizer™ for Compressed Digital Music Files
Theater-Dimensional Virtual Surround Function
RIHD (Remote Interactive over HDMI) for System Control
A-Form Listening Mode Memory
Double Bass Function
Direct Mode and Pure Audio Mode
Non-Scaling Configuration
Tone Control (Bass/Treble) for Front L/R Channels
Front-Side Auxiliary A/V Input (for Camcorders, Game Consoles, etc.)
Component Video Switching (2 Inputs and 1 Output)
7 Multichannel Pre Outs
6 Digital Inputs (3 Optical and 3 Coaxial)
Banana Plug-Compatible Speaker Posts
Bi-Amping Capability
Independent Crossover Adjustment for F/C/S/SB (40/50/60/70/80/90/100/120/150/200 Hz)
A/V Sync Control Function (Up to 250 ms in 5 ms Steps)
RDS (PS/RT/PTY/TP)
40 FM/AM Random Presets
Compatible with RI (Remote Interactive) Dock for the iPod
Bi-Directional Preprogrammed and Customizable RI Remote Control with Onscreen Setup, Mode-Key LEDs, and Macro Presets for Four Activities

OTHER FEATURES

4 S-Video Inputs and 2 Outputs
5 A/V Inputs and 1 Output
Video Output (Monitor)
2 Audio Inputs and 1 Output
Phono Input
RS232, IR (In/Out), 12 V Trigger (Zone 2/Zone 3) Connectivity
IntelliVolume
Headphone Jack
Onscreen Display (OSD) via HDMI
Display Dimmer (Normal/Dim/Dimmer)
Aluminum Front Panel and Volume Knob

Onkyo TX-NR807 User Manual

Check Online Price at the Shack Electronics Store

Arcam FMJ AVR600 7.1 Receiver: Official Thread

recruit — Thu, 05 Nov 2009 10:33:33 GMT

The AVR600 in detail

The AVR600 AV receiver represents a tour-de-force of Arcam’s design skill and technical prowess.

While most receivers are designed to provide an overwhelming list of specifications but are short on outright performance, the AVR600 is focused on the complete experience. Never before has an AV receiver delivered such a fine balance of state of the art sound and video processing backed up by an all encompassing technical specification.

The AVR600’s discrete styling hides a huge seven channel, 120wpc power amplifier and some of the most advanced audio and video processing ever seen in a high performance AV receiver.

Fully equipped for the high definition world, the AVR600 decodes the very latest Dolby Digital+, Dolby TrueHD, DTS High Resolution Audio and DTS HD Master Audio streams with phenomenal precision.

With well over 100 input, output and control connections, from simple analogue I/O to high speed HDMI, the AVR600 is fully equipped to deal with the most demanding of home cinema systems or custom installations. Sources such as DVD, Blu-Ray, set-top boxes, iPods� and games machines are all accommodated with ease.

Using 6 layer PCBs and ultra high precision digital audio and video circuits, the internal design of the AVR600 is the culmination of thousands of man-hours of research and development work by Arcam’s world-class design team and represents the largest project ever completed by the company.

The AVR600 is available in black or silver finish.

Analogue Audio

120WPC continuous power output into 4 or 8 ohms loads (all 7 channels driven at 1kHz)
Stereo output power over 150WPC into 4 or 8 ohms, 20Hz to 20kHz
Huge toroidal power transformer and high efficiency class G amplifier ensures ample power for even the most demanding programme material
In 5.1 speaker setups channels 6 & 7 assignable to bi-amplify front left and right or for use in Zone 2
Audiophile quality components for best sound quality
Multi-channel 7.1 analogue input for DVD-A or SACD sources
Stereo direct mode bypasses and disables all digital processing for 2 channel analogue sources
9 stereo analogue inputs (including one MM phono input & front 3.5mm AUX input)
Zone 2 stereo audio, from analogue inputs (Source and volume control independent from main zone)
Zone 3 stereo audio, from analogue inputs
Linked to Zone 2, volume control independent
DAB/FM/AM or FM/AM stereo tuner with 50 presets
Sirius Home Connect compatible input
Support for iPod via Arcam rLead / rDock (independent of RS232 connection)

Digital Audio

State of the art Analog Devices ADSP-21366 & ADSP-21367 DSPs for surround decoding
Crystal Semiconductor 24bit 192kHz DACs, stereo ADC and precision electronic volume controls
Dolby TrueHD, Dolby Digital+, Dolby Digital EX, Dolby Pro Logic IIx, DTS HD Master
Audio, DTS High Resolution Audio, DTS-ES Discrete, DTS-ES Matrix, DTS96/24, DTS Neo:6
Dolby Volume processing for balancing of program material gain and tonal balance
Adjustable crossover switching 40Hz, 60Hz, 80Hz, 100Hz, 120Hz, 150Hz
8 digital inputs 4 rear optical, 3 co-axial, 1 front 3.5mm optical AUX input
Global audio delay, adjustable from 0-1000 milliseconds, to compensate for video processing delays in digital displays and sources
USB input for audio file playback from UPnP mass storage devices
Ethernet connection for Internet Radio and audio streaming

Video

5 HDMI inputs (up to 1080p, Deep Colour)
2 HDMI outputs (up to 1080p, Deep Colour)
5 Component inputs, one monitor output (up to 1080i)
5 S-video inputs, one monitor output, 2 tape outputs
5 Composite video inputs, one monitor output, 2 tape outputs
Full video up/down conversion & frame rate conversion of all inputs where technically allowed
Video enhancements: Edge enhancement, Mosquito noise reduction, Random noise reduction, Block noise reduction

Custom Install Features

Independent Zone 2 (audio & video), with fixed/variable volume
Zone 3 audio with fixed/variable volume
RC-5 remote input jacks for all three zones
IR pass through for source components
Full suite of discrete IR RC-5 codes, including separate on / off etc
12Volt triggers, on / off for zones 1, 2 and 3
Full duplex RS232 control input for more complex control systems
Ethernet connection for IP control

General

Supplied with back-lit CR102 learning remote
control with support for up to 7 other
components and a huge on-board code
library
Large, high contrast dimmable VFD front
panel display
User switchable between 120 & 230Volt
mains supplies
Size – 435mm (17.1in) wide, 435mm (17.1in)
deep, 185mm (7.3in) high
Weight 25kg nett, 30kg packed

Arcam FMJ AVR600 Manual

Arcam FMJ AVR500 7.1 Receiver: Pre-Release Thread

recruit — Wed, 04 Nov 2009 22:19:53 GMT

The Arcam AVR500 sits just below the multi award winning Arcam AVR600 and delivers a new level of performance to this market. This means Arcam’s AVR500 will also be taking on the might of Onkyo, Denon and Marantz with its new av receiver – amplifier!

Using 7 x 100 watt per channel and all of Arcam’s technical ability the AVR500 will rise to the challenge and we are sure will also steal some sales from it’s big brother the Arcam AVR600.

With movies, the AVR500 like the AVR600 is a perfectly tuned piece of audio engineering. Its perfectly timed beats and wonderfully balanced harmonies helps the AVR500 nurtured the perfect movie sounds, which lets your emotions flow.

For the traditionalist the AVR500 also includes all the finesse of the AVR600, delivering a truly uncomplicated yet accomplished hifi audio sound, which easily leave many true two channel stereo amplifiers in the shade.

The Arcam AVR500 has some qualities that also separate it from the AVR600, which simplifies the operational functions, making it ideal for the user who does not require the extra component included in the AVR600.

This unit is coming in at appox �2500 which would equate to roughly $3500 compared to its bigger brother which comes in at a cool $5000

Technical Specifications

Ultra High Performance AV Pre-amp Processor
Ultra-clean audio signal path
100w per channel ultra low distortion power amplifier
HDMI 1.3a dual output video switching
Video trans-coding from component to HDMI
High precision decoding for HD audio formats
Dolby Volume* gain processing
2 zone outputs
Optional Ethernet/USB audio playback / Internet radio
FM/AM Radio tuner with 100 presets
Optional DAB Radio module (Market Dependant)
IR and full duplex RS232 control
Superlative audio & video performance

Onkyo TX-NR1007, TX-NR3007 and TX-NR5007 THX Ultra2 Plus 9.2 Channel Receivers: Official Thread

Sonnie — Wed, 04 Nov 2009 15:11:26 GMT

Onkyo TX-NR1007, TX-NR3007 and TX-NR5007 THX™ Ultra2 Plus™ Certified 9.2 Channel Network Receivers: Official Thread

TX-NR5007

Top-of-the-Line Networking Powerhouse Sets the Standard

As Onkyo’s flagship model for the network generation, the TX-NR5007 offers a mouthwatering feature set designed to satisfy even the most demanding home theater purist. The expanded 9.2-channel configuration allows you to enjoy multi-zone playback as well as the latest surround formats by Dolby, DTS, and Audyssey. Advanced networking capability, meanwhile, enables you to incorporate PC-based audio and internet radio into your home theater set-up. Video signals fed through this receiver get the luxury treatment, thanks to HQV Reon-VX processing, ISF calibration, and 1080p upscaling of all video sources via HDMI™ 1.3a. In the engine room, the TX-NR5007 boasts an impressive array of audiophile-grade components, including large, customized transistors to drive high currents and 22,000 ?F capacitors to support a huge and stable power supply. Add to that high-quality 32-bit Burr-Brown DACs; ultra-low-jitter circuitry; and independent power supplies for amp, video, and audio circuitry, and you have a networking powerhouse equipped to deliver an immaculate A/V performance every time.

Special Features

THX Ultra2 Plus certified
HDMI V1.3a repeater (8in (1 front)/2out (simultaneous), 1080p compatible)
HDMI 1080p upscaling powered by HQV Reon-VX
Dolby PLIIz Processing
Dolby Volume
Audyssey DSX Surround processing
isf Video Calibration
Component Video Upscaling (up to 1080i)
Front and rear USB inputs

Power Output
Front L/R = 145 W + 145 W (8 ohms, 20 Hz–20 kHz, 0.05%, 2 channels driven, FTC)
Center = 145 W (8 ohms, 20 Hz–20 kHz, 0.05%, 2 channels driven, FTC)
Surround L/R = 145 W + 145 W (8 ohms, 20 Hz–20 kHz, 0.05%, 2 channels driven, FTC)
Surround Back L/R = 145 W + 145 W (8 ohms, 20 Hz–20 kHz, 0.05%, 2 channels driven, FTC)
Front High/ Wide = 145 W + 145 W (8 ohms, 20 Hz–20 kHz, 0.05%, 2 channels driven, FTC)

Dynamic Power
400 W (3 ohms, 1 ch)
300 W (4 ohms, 1 ch)
180 W (8 ohms, 1 ch)

THD (Total Harmonic Distortion) = 0.05% (Rated power)
Damping Factor = 60 (Front, 1 kHz, 8 ohms)
Input Sensitivity and Impedance = 200 mV/47 k-ohms (Line) 2.5 mV/47 k-ohms (Phone MM)
Output Level and Impedance = 200 mV/470 ohms
Phono Overload = 70 mV (MM, 1 kHz, 0.5%)
Frequency Response = 5 Hz–100 kHz/+1 dB, -3 dB (Direct mode)
Tone Control = �10 dB, 50 Hz (Bass) �10 dB, 20 kHz (Treble)
Signal-to-Noise Ratio = 110 dB (Line, IHF-A)
Speaker Impedance = 4 ohms–16 ohms or 6 ohms–16 ohms

Downloads (Manuals and Firmware Updates)

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