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| HiFi Audio Components To sub or not to subDiscuss To sub or not to sub in the Home Theater | Audio and Video forum; To sub or not to sub http://forums.audioholics.com/forums...ad.php?t=23139... |
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| | #27 (Link) | |||
| Re: To sub or not to sub CD's certainly sound a lot different than a live performance, a part of it might be the natural reverbertion of the room but there are probably other factors affecting the sound. | |||
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| | #28 (Link) | |||
| Re: To sub or not to sub I'm using my subwofer for music. I'm crossed over at 60Hz instead of 80Hz. It seems to anchor the bass to the mains better. I've played wtih my house curve and settled in with a set of parameters that sound the most real to me. We all have "personal taste" in "audio fidelity." That is to say, what sounds true to you? We are the Shack. Existence as you know it is over. We will add your biological and technological distinctiveness to our own. You will be mapped. Resistance is futile. | |||
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| | #29 (Link) | |||
| Re: To sub or not to sub I'm an ex musician and a long time proponent of home listening devices. I just attended a live Ronnie MiLsap concert which also featured John Anderson and John Conlee. The ONLY musician at that concert to get the "sound" balanced (bass boxes, mids, and treble arrays) was the blind guy. It's true that what we are priviledged to hear at home is one man's opinion or creation of musical sounds or the sounds and noises of realistic action. The action can be quite "life like" . . . . . but music has a long way to go before we'll accept it as "life like". My opinion, use a sub. Ronnie Milsap does. | |||
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| | #30 (Link) | |||
| Re: To sub or not to sub I have Rock Solid (B&W) monitors in the basement family room for music listening and VHS (gasp!) movie watching. The bass out of these little speakers is pretty amazing, but their low end limits are evident. Several years ago I found one of the last new in box AR S112PS subwoofers. This particular sub is an overachiever and is well matched to the Rock Solids. Not only does it improve dramatically the movie experience, the music listening has been enhanced incredibly. The extended bass just seems to be there without detracting from the two channel mids and highs handled excellently by the Rock Solids. It would seem to me a perfectly acceptable solution to go with very high quality bookshelves and a good, well-placed subwoofer for two channel music. | |||
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| | #31 (Link) | |||
| Re: To sub or not to sub Wide range speakers all have two, three or more speakers in them, so we are always listening to multiple drivers. A subwoofer adds one or two more, and further complicates the phasing between drivers at the crossovers. Whether this helps or hurts high fidelity sound reproduction depends upon the skill of the system integrator to add the components together. I have a sub on my HT system, and none on my hi-fi system. I still think the hi-fi system sounds better for music than the HT system, but the HT system sounds reasonably good playing music, and the sub is a reasonable addition to that. I can add that on most symphonic music the subwoofer is not used. It's VU meter is off. Pipe organ music wakes it up, for sure, and I do enjoy the extra punch. Techno and hard rock of course gives the sub a workout, but that music is not critical to listen to. | |||
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| | #32 (Link) | |||||
| | Re: To sub or not to sub Quote:
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All that being said, I agree, for most music, we don't need to get below ~40hz unless you're pulling out that pipe orgain CD (I have one, and tried playing it on my computer speakers -- truly sad). JCD | |||||
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| | #33 (Link) | ||||
| Re: To sub or not to sub Quote:
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| | #34 (Link) | |||
| Re: To sub or not to sub Even if the equipment has the potential to deliver such tones the room has to be able to accommodate the tone as well. Do you know the length of the wave produced with a 20 Hz tone? A 16 Hz tone has a wavelength of 72 feet! | |||
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| | #35 (Link) | |||
| Re: To sub or not to sub [quote=reed.hannebaum;47917]The following link http://www.contrabass.com/pages/frequency.html Hey Reed, Thanks for that Link. I wanted to see for myself what kind of instrument played down to 4Hz! But the really fun part was going from Link to Link from the list of super low subsonic Hz and looking at the instruments designed to articulate sound at 40Hz and below. It seems musicians have always been enthralled with low notes. The instruments to play those notes have been constructed all over the world going back at least a hundred years or so. Even this "Smiley face" is waving his arms trying create a low note . . . . . looks to be abbout a CCCCC# BBBl = 10 CPS = Hz And this one who has actually broken the 1/2 sound barrier LOL ie: 1/2 Hz! | |||
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| | #36 (Link) | |||
| Re: To sub or not to sub Jay, You are absolutely correct; of all the components that make up a good sound system, the listening room is the most critical (besides our own ears). I have used REW to adjust sub level, equalization and crossover to get a reasonably flat response down to 15 Hz at my favority listening position. Hey Phil, It is an interesting link. Some of those instruments are pretty far off the wall. I think it would be tough lugging around a 64' clarinet from gig to gig. | |||
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| | #37 (Link) | |||
| Re: To sub or not to sub I've actually found music listening without a sub even on bookshelf speakers to be still satisfying, but a well integrated sub just adds that extra dimension that makes me believe in that realism of a recording. I don't believe that a bookshelf+sub system is going to replace the need for a top class floorstanding system, but for those of us that are constrained in space and/or budget, choosing a decent bookshelf speaker like my small CM or the NHT Classic 3 + a good tight sub like my SVS SB12, can be very satisfying even for critical music listening Now if you have a good floorstanding system, adding a sub can just make the difference as long as you can integrate the sub properly into your system. Because bass interactions with the room are so pronounced, it's very useful to have some analysis tools such as REW to figure out what's going on in the room as far as peaks and nulls in your room. B&W CM1,686, Onkyo 875, Sony 46XBR2, SVS SB12-Plus, Mirage Omni S12, Epos ELS3, Energy RC Mini, Energy C3, PS3, NHT C3, Sanyo PLVZ3 + 92" Draper Cineperm, AKG K701, Headroom Micro DAC/Amp, | |||
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| | #38 (Link) | |||
| Re: To sub or not to sub I think Warpdrive hit the nail on the head, There are some fantastic sounding "bookshelf" speakers available that wont break the bank. Most good receivers have a "pure" mode that turns off the sub anyhow so there must be a reason for them taking this measure. I think any speaker than can go down to around 25hz is plenty good for straight listening to music as there are few recordings that will use the octaves below that. I do agree that the sub ads a bit more dimension to music even if its hardly working. Home theater: Onkyo TXSR805 receiver, Samson Servo 4120 bridged @240wattsX2, 2-Mission 765 Mains, 4-762i's Rears, SVS PB13 Ultra, AR center PSC25, 2 Audio control C131 EQ's, Toshiba HD AX2 & Samsung BDP1400 DVD players, Sanyo Z2 projector Two Channel system: Yamaha RX-V995, Mission 764i's & A/D/S MS3u sub Yamaha KX-393 Tape deck, CDC 805 5 disc CD changer, LG DV7832NXC DVD player, Motorola HD-PVR, Sony KP-53HS30 rear projection HDTV, turntable PS-T20 Nintendo Wii | |||
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| | #39 (Link) | |||
| Re: To sub or not to sub Yes, any good bookshelf speaker can be very satisfying for music listening. For the longest time, I was using a Energy C3 which has output down to about 40Hz, I used it without a sub. B&W CM1,686, Onkyo 875, Sony 46XBR2, SVS SB12-Plus, Mirage Omni S12, Epos ELS3, Energy RC Mini, Energy C3, PS3, NHT C3, Sanyo PLVZ3 + 92" Draper Cineperm, AKG K701, Headroom Micro DAC/Amp, | |||
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| | #40 (Link) | |||
| Re: To sub or not to sub I've heard this before but if that is the case, there would be nothing below about 200hz listening to headphones and we all know that isn't true. My advice, go for the sub. The added extension and output will be nice and your mains will be happy when they don't have to strain as hard (read - less distortion) reproducing bass. | |||
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