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| REW Forum about average functionDiscuss about average function in the Equalization | Calibration forum; about average function hi all,
I'd like to know more about how the REW average function is calculated.
Especially when some of the ... |
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Views: 433 - Replies: 11
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| about average function hi all, I'd like to know more about how the REW average function is calculated. Especially when some of the averaged signals are non-minimal phase, how is the calculation done ? Thanks for any info. | ||||
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| | #2 | ||||
| Re: about average function It is the arithmetic average of the spl values of the selected traces. | ||||
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| | #4 | ||||
| Re: about average function Minimum phase extraction is on the features list to put in at some point, but there doesn't seem to be much demand for it. What would you plan to use it for? | ||||
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| | #5 | ||||
| Re: about average function Code: Minimum phase extraction is on the features list What would you plan to use it for? To do this, I measure at different places around listener. Then I extract min phase responses (together with time windowing) of all the measured REW curves with DRC and reimport it to REW. At the end, I compare : - all untreated REW measurements - same measurements but with min phase extraction So I can check what accidents are common to all curves and I only correct those ones. It's some work but can give goood results. | ||||
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| | #6 | ||||
| Re: about average function Can't say I follow what you are looking for. The frequency (magnitude) response of the minimum phase impulse is identical to that of the mixed phase impulse. What differences are you seeing in the responses you have exported, processed and re-imported? | ||||
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| | #7 | |||||
| Re: about average function Quote:
brucek | |||||
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| | #8 | ||||||
| Re: about average function Quote:
I use the DRC processing mainly to do a frequency dependent windowing with quite short windows (equivalent to 3 to 5 periods) to keep most direct sound and avoid later reflections And in the same process, I prefer to do a min phase extraction because when I do a correction with another min phase device, then when I re-measure after correction, I'm quite sure that it fits with the predicted curve. Quote:
thanks everybody | ||||||
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| | #9 | ||||
| Re: about average function Peaks are characterised to identify resonances but that doesn't include minimum phase dependencies - as I said, the magnitude response is the same in any case. The next version of REW, all being well, will accurately identify the poles of the modal resonances, however, and allow more precise correction that can target only those resonances. It may also incorporate some Common Acoustical Pole modelling to better isolate features that affect several measurement locations. All quite a ways off though. | ||||
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| | #10 | |||||
| Re: about average function Quote:
5msec would be a boundary ~0.86 meters away (d=(time*speed)/2). That distance could be the distance the mic is situated from the floor at the listening position and so a reasonable reflection free period. I don't see how you can avoid measuring reflections, or am I way out to lunch? ![]() brucek | |||||
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| | #11 | ||||||
| Re: about average function Quote:
So you don't really do full modal correction (would be more depending on listener place) but you get good first reflections correction (that is less listener place dependant) Quote:
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| | #12 | ||||
| Re: about average function I know it's a bit outside the scope of 'room' eq wizard, but minimum phase extraction would be extremely useful for measurement in performance halls (live sound reinforcement). In larger rooms/venues, you can't just EQ the modal resonances or really implement any EQ since the magnitude changes very dramatically with the window used and the position of the mic (which is due to the number of reflections happening at very different times). However, minimum phase aberrations show up consistently... The notion extrapolates back to the home though, just at the higher frequencies where the room is still effectively "large". I've got an interesting paper here somewhere that I can post when I find it that talks more about it... -Mike Bentz ~It's all about compromise~ "It's territorial with the soundboard. So you're mixing and some dude comes by spewing opinions and trying to turn knobs. It's akin to going up to an artist and painting over his unfinished masterpiece. You just want to shove your paint brush up his nose and throw the soundboard out the window!" | ||||
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