| |||||||||||||||||
| |||||||
REW ForumDiscuss What does dBfs tell us in the Equalization | Calibration forum; What does dBfs tell us Hi all - puzzling question? In the impulse window, what does the dbfs readout actually tell us about the room? ... |
|
|
Views: 565 - Replies: 12
| Thread Tools |
| | #1 | ||||
| What does dBfs tell us Hi all - puzzling question? In the impulse window, what does the dbfs readout actually tell us about the room? and what is the difference between it (dbfs) and the ETC dbfs graph, so why would i choose one over the other? do they tell us different acoustic events, all help much appreciated. | ||||
|
| | |
| | |
| | #2 | ||||
| Re: What does dBfs tell us I guess John Mulcahy will have to answer this one... I certainly have no idea. | ||||
|
| | #3 | ||||
| Re: What does dBfs tell us Since you are not measuring voltage, the dBFS (Full Scale) tells the maximun point when a digital signal processor has its limits (due to the analogue-digital conversion and the system resolution ej. 16 bits, 24 bits, etc.). In other words, is the maximum value accepted in a digital measure. The lowest possible sample is (for instance for 16 bit audio): 0000 0000 0000 0001, which equals -96 dBFS. Therefore the dynamic range for 16-bit systems is 96 dB. For 20-bit digital audio it is 120 dB. For 24 bit digital audio it is 144 dB. When the game ends, the king and the pawn return to the same box. | ||||
|
| | #5 | ||||
| Re: What does dBfs tell us The dbFS and % scales both show the amplitude of the impulse (or its ETC) but dbFS is a logarithmic scale whereas % is linear. When looking at the levels of reflections the % scale is usually more useful, when looking at decay times or choosing window settings dbFS is best. | ||||
|
| | #7 | ||||
| Re: What does dBfs tell us The ETC shows the envelope of the impulse response, it is useful in % mode when looking at the level of reflections to assess the effectiveness of absorbers. | ||||
|
| | #9 | |||||
| Re: What does dBfs tell us Quote:
![]() Very useful for looking at reflections and determining where they come from. brucek | |||||
|