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Changing The Posted Graph Parameters...

Discuss Changing The Posted Graph Parameters... in the Subwoofer Equalization | Calibration forum; Changing The Posted Graph Parameters... Not to throw a wrench into the works, but I'd like to suggest a different frequency bandwidth on the posted ...

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Old 03-01-07, 11:01 AM   #1 (Link)
 
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Changing The Posted Graph Parameters...


Not to throw a wrench into the works, but I'd like to suggest a different frequency bandwidth on the posted graphs.

200Hz is less important and the first few octaves are more important, IMO. Even if a sub doesn't reach to single digits, being able to see if the sub is rolling off or if there's just a dip below 15Hz, as well as what the ultimate roll off is, is much more important to me than what the sub does from 100-200Hz.

As an example, here is a measurement before any tweaks with the area boxed in that would normally not be shown, if the graph stopped at 15Hz going down:

in-room.jpg

In this case, it might have appeared that the sub was rolling off sharply below 15Hz. Also, some tweaks affect VLF that would otherwise not be noticed.

Of course, it's only my opinion, and if it's too much problem, never mind, but I thought I'd ask.

Bosso


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Old 03-01-07, 11:29 AM   #2 (Link)
 
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Re: Changing The Posted Graph Parameters...


The problem with posting graphs below 10Hz is we have no idea how accurate they are, since we have no correction values below 10Hz for about 95% of our members.

Generally we post what we can adjust, thus the reason for 15Hz to 200Hz. But I'm open to the suggestion of 10Hz to 120Hz or similar if we can really justify it and others (the majority) agree.


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Old 03-01-07, 11:31 AM   #3 (Link)
 
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Re: Changing The Posted Graph Parameters...


There are a couple of issues here.

The vertical scale we normally use brackets the standard 75dB target level used with REW. The scale used is from 45dB to 105dB. This allows a reasonable min/max of 60dB centered on 75dB. Consistency is important for comparisons, so we like to stick to that scale.

The horizontal scale we normally use is 15Hz to 200Hz. The 15Hz is optional to 10Hz for those with an IB etc, but anything below that is not meaningful, since most people have a microphone calibration file that ends at 10Hz. Measuring below that would require a fairly accurate mic with an associated cal file.
The 200Hz was chosen to accommodate a standard value (where in association with the recommended vertical scale), an 80Hz crossover target would just fall below 45dB before 200Hz. This also accommodated adding the mains speakers to check for crossover interaction without changing scales.

We have found that the vertical (45dB -105dB) and horizontal (15Hz - 200Hz) scale to be a good overall compromise so that everyone is comparing apples to apples.



80main copy.jpg



brucek


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Old 03-01-07, 01:00 PM   #4 (Link)
 
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Re: Changing The Posted Graph Parameters...


I see the dilemma. The reason I shifted the horizontal axis is that it gets a bit scrunched up moving further up, since I'm adding so much to the left on a log scale.

The vertical is not a problem, I just shifted this one to show the loop back of my digital interface, which is flat to 3Hz. I also have a very good mic that's flat to 2Hz, so no cal file is needed for subwoofer measurements.

I guess there's no easy answer other than a section just for subsonic capable subwoofers. It's not just my own graph and comments that will follow, I see a lot of graphs of subs that look strong to 15Hz.

For example, the JL Audio F-113 thread. I personally have been very interested to know if there's a HP filter on that subwoofer, and if so, what order and frequency. The posted graphs could indicate that there is a rather steep roll off below 20Hz, or that there is simply a dip at 15Hz in that particular room.

I understand the idea of uniformity in posted graphs for quick comparo, but it's not much of a comparison if one sub reaches 3 full octaves below another sub, but no one knows that by looking at 2 graphs with a 15Hz cutoff.

I appreciate the responses either way.

Bosso


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Old 03-01-07, 01:14 PM   #5 (Link)
 
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Re: Changing The Posted Graph Parameters...


You can post a graph down to 2Hz, 5Hz, 10Hz, if you want... several people do... especially in other areas besides the BFD | REW Forum. 15Hz is not mandatory by any means, merely a request for this forum area, as well as the "request" for the stated axis parameters is only posted in the BFD | REW Forum.

In general, our "request" for the stated axis parameters are for those who are using the BFD and asking for help smoothing/taming their response. We are not necessarily comparing graphs in the BFD | REW Forum to see whose sub has the best extension. And as previously stated, most of us can't do anything with the response below 20Hz anyway.

I actually encourage others to post lower graphed responses myself, in the other forums such as the DIY Subwoofers and Home Audio Subwoofers forums. I like seeing extension response graphs.


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Old 03-01-07, 03:57 PM   #6 (Link)
 
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Re: Changing The Posted Graph Parameters...


Lean on Bosso to do a calibration of a small sample of Galaxy 140s against his 2Hz mike from 2-30Hz to check for infrasonic variability and to build a proper calibration file.

Sonnie can then spread the 2Hz test limit rather effortlessly worldwide by distributing 140s with the calibration file available from the Shack.

We can call it the Bosso/Sonnie infrasonic calibration standard if bribery is absolutely necessary.

Anybody buying a Galaxy 140 will be assured that they can test down to 2Hz with reasonable accuracy and repeatability.

It could be a milestone in subwoofery.


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Old 03-01-07, 06:05 PM   #7 (Link)
 
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Re: Changing The Posted Graph Parameters...


In the few odd occasions where it is important for the discussion at hand it would be OK to post what is relevant?? I don't think anyone would be upset, I think that the only time it becomes frustrating when 'incorrect' graphs are posted is when it is obvious the person posting them has not bothered to read the help files??

In all other circumstances a 'non-standard' graph is OK if it is for a reason and useful. Surely??


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Old 03-01-07, 06:32 PM   #8 (Link)
 
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Re: Changing The Posted Graph Parameters...


You are correct terry.

I'll be happy to forward a meter to Bosso for the ultra low frequency calibration. I would even send him my ECM8000 and once I get it calibrated to 2Hz then I can check whatever then.

However, Bosso, do you have a sub capable of reproducing 2Hz well enough to perform a calibration trace?

PM me your address and I'll get both units right on out to you.


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Old 03-01-07, 06:37 PM   #9 (Link)
 
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Re: Changing The Posted Graph Parameters...


Quote:
a 'non-standard' graph is OK if it is for a reason and useful. Surely??
Sure, don't see why not.

Here's three plots of the exact same mdat file.

Consistent and meaningful scaling is quite important for interpretation.


one.jpg

two.jpg

three.jpg

brucek


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Old 03-01-07, 08:08 PM   #10 (Link)
 
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Re: Changing The Posted Graph Parameters...


Quote:
Sonnie wrote: View Post
You are correct terry.

I'll be happy to forward a meter to Bosso for the ultra low frequency calibration. I would even send him my ECM8000 and once I get it calibrated to 2Hz then I can check whatever then.

However, Bosso, do you have a sub capable of reproducing 2Hz well enough to perform a calibration trace?

PM me your address and I'll get both units right on out to you.
The amps are down about 6dB at 3Hz. The sub is probably dead flat to 8Hz, anechoic. The in-room response can be made flat to 3Hz (+/-)3dB.

What's a Galaxy 140?

Include detailed instructions and sure, I'll be glad to give it a whirl.

Bosso


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Old 03-01-07, 09:40 PM   #11 (Link)
 
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Re: Changing The Posted Graph Parameters...


The Galaxy CM-140 is the latest SPL meter/mic that several members are ordering now instead of the old RS meter.

Basically you would need to be able to setup a nearfield sweep (or a flat response sweep) from 2Hz-5Hz up to about 200Hz. You would take one measurement with your pro mic and then another with the CM-140 and another with my ECM8000. Then use the "trace" function in REW. I'm assuming you are familiar with REW, if not, then we can walk you through it all with no problems. The major key is keeping all mics as close as possible to the exact same position/location for each measurement... more particular the mic capsule location.

Do you have a mic amp with phantom power supply, which the ECM8000 requires?

If you are interested, PM me your mailing address and I'll ship the ECM8000 and CM-140 to you.


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Old 03-01-07, 11:29 PM   #12 (Link)
 
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Re: Changing The Posted Graph Parameters...


yeah understand that Bruce, and it is especially obvious in the vertical scale, tho it will stretch when we go higher in frequency too.

But if say Bosso wanted to go down to 5 hz, could we not preserve the feel of the graph by only going up to (say) 150 hz?? I'll leave the actual upper figure to someone else who understands the logarithmic scale better than I.

I would only expect to see the altered scaling quite rarely, all other posts should stay the same.


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Old 03-04-07, 06:33 AM   #13 (Link)
 
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Re: Changing The Posted Graph Parameters...


I am wondering how many times we can find info below 15Hz Why care so much while most information and most noticable effects will be much above that?

B Rgds
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Old 03-04-07, 10:41 AM   #14 (Link)
 
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Re: Changing The Posted Graph Parameters...


Quote:
blaser wrote: View Post
I am wondering how many times we can find info below 15Hz Why care so much while most information and most noticable effects will be much above that?

B Rgds
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Because these frequencies exist in considerable quantities on many film DVDs and some music CDs. My own 16-46 SVS doesn't start to roll off until 16Hz. My IB goes on down into the murky depths. I consider these low frequencies rather more useful than ultrasonics and supertweeters even if they are not usually directly audible.


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Old 03-04-07, 03:14 PM   #15 (Link)
 
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Re: Changing The Posted Graph Parameters...


Quote:
Chrisbee wrote: View Post
I consider these low frequencies rather more useful than ultrasonics and supertweeters even if they are not usually directly audible.
So is there a huge difference between having these frequencies and not.... If so, could you let me have a concrete idea.... In a blind test with and without these Ultralow freq. can you recognize them? Which movies for ex. contain useful info below 15 Hz, and is missing these freq. noticeable?

Don't misunderstand, I am just asking, no offence!

Thanks!

Blaser


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Old 03-04-07, 04:52 PM   #16 (Link)
 
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Re: Changing The Posted Graph Parameters...


There are long threads on several forums showing Spectrum Lab waterfall graphs of extremely low frequencies or very high levels or both. Both DVD films and CDs reach sub 10Hz more frequently than you might realise.

So far very few subwoofers are known to have useful output at frequencies and levels which can make sub 10Hz sounds audible. The Eminent Technology/Thigpen rotary subwoofer driver is one of these very few.

Very large multi-driver IB subwoofers with sufficient cone area can produce prodigious levels of infrasonics. Though not quite in the same league as the Thigpen fan subwoofer in present sizes. It takes at least 8 x 18" drivers to bend concrete floors and move the furniture about, I believe. At least one 16 x 18" IB is known to exist. It can move the sofa carrying its excited occupants bodily across the room.

Even if such low frequencies are not directly audible they are known to affect mood.
Very low frequencies can cause euphoria, fear or discomfort and have been used for this purpose both consciously and subconsciously for hundreds if not thousands of years. Very large musical instruments, cathedral organs, drums, gongs, bells, waterfalls, surf, earthquakes and storms are all common sources of infrasonics.

Deep, loud bass seems quite addictive judging from the millions of subwoofers sold worldwide. Not to mention the endless online discussions by the happy owners of their latest bass high. (or should that be "low"?) The SVS grin was once a common subject on many forums.

Loud, deep bass from high performance subwoofers can have much the same effects as fair rides. Excitement, fear and elation are common. Add the desire to go on repeating the exercise until the excitement is finally exhausted and you get the picture. People are apparently willing to risk damage to their homes and their reputations with their neighbours in their search for bass nirvana.

Sensitivity to VLF is variable between human subjects and may be affected by the stress of testing for response confirmation. In blind tests some subjects detected remarkably low frequencies but missed others higher in frequency. It is still largely unknown territory since so few commercial subwoofers can provide such low frequencies at sufficiently high levels to make them commonplace.


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Old 03-04-07, 05:04 PM   #17 (Link)
 
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Re: Changing The Posted Graph Parameters...


Well!! Good luck! I think I have never experienced such thing... I am still in research of a good 16-20 Hz area only

Thanks for your long, informative post.

Blaser


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Old 03-04-07, 10:05 PM   #18 (Link)
 
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Re: Changing The Posted Graph Parameters...


Ya know....the data doesn't change when the scale on the graph changes. Not to be rude, but I really gotta question the ability of a person to interpret data if they feel a certain scaling is required. I totally agree that a standardized scaling makes it easy to cast a glance and make some judgement calls, but this whole obsession with the frequency response seems a bit crazy considering all of the other cool features built into REW. Heck, just change the window for the FFT and you'll get +-6dB no prob on the calculated frequency response...

Ok, enough ranting...

One last comment....I would argue that the frequency response needs to include higher octaves to better show the transition from mains to subs. Comparison to the 4kHz region is much more informative than the 200-600Hz region...


-Mike Bentz
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"It's territorial with the soundboard. So you're mixing and some dude comes by spewing opinions and trying to turn knobs. It's akin to going up to an artist and painting over his unfinished masterpiece. You just want to shove your paint brush up his nose and throw the soundboard out the window!"

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