Titan A.E. (Widescreen)

What's visually stunning proves intermittently stunted on the narrative front, however. Orphaned when the evil Drej atomize Earth, protagonist Cale (voiced by Matt Damon) must journey across space to unlock the mystery of his late father's final project, the Titan spacecraft, in a test of faith and filial identity that echoes Star Wars. The Titan itself ultimately poses a cosmic potential familiar to admirers of Star Trek II: The Wrath of Khan. Comical sidekicks (Nathan Lane, Janeane Garofalo, John Leguizamo), a sultry love interest (Drew Barrymore), and a roguish mentor (Bill Pullman) all verge on the generic, narrowly redeemed by dialogue from a writing team including Buffy the Vampire Slayer creator Joss Whedon.

It's likely that Titan's target audience of young males prompted the filmmakers to walk a tightrope between softer family features and more violent, hard-edged anime. Titan's brief bloodshed and coy nudity stop short of PG-13 terrain, though younger viewers might be unsettled by the violence. Young teens will find the proceedings tamer than the video games and anime fantasies that have influenced it. --Sam Sutherland

To cut to the chase, the story is ok; not great, but not bad either. What really separates this one into the pile of DVD's that I like to watch are the stunning visuals and the even more stunning (DTS) sound. If you have a home theater, then this dvd will pay for itself in the first few minutes of the movie.

An indicator of the excellent sound on this dvd is that when I finally added a subwoofer to my home theater, the first dvd I put in to try out was Titan AE (and it left my whole family with mouths agape).

The story itself is fine, though it would have been better if it were developed more. There is a good story there, it's just not fully presented. Some of the secondary characters are very forgettable. In other words, it's pretty much on par with most SciFi movies. I could have written this same paragraph about any Star Wars or Star Trek movie. That may not be high praise, but it's no indictment either. It's SciFi; enjoy what it gives you and don't be overly critical.


Not exactly "Titan"-ic...   June 24, 2004
Although I'm a fan of both "space opera" sci-fi and 'toons geared more towards the older crowd, I didn't find "Titan A.E." to be a particularly interesting or original melding of these two elements. On the story side, I found the whole "boy-man-destined-to-save-humanity" angle that the central character plays a bit derivative of, and not played out quite as well as such previous sci-fi messiahs as the 'Star Wars' trilogy's Luke Skywalker and 'Dune's' Paul Atreides/Muad'Dib. I also would've preferred they put a little more exposition into-- and explained with a bit more detail-- the period between the Earth's destruction and the commencing of the hero's search for the Titan. On the technical end of things: although the folks who put this together made an admirable effort to meld both 3-D computer animation and traditional cel animation together as seamlessly as possible, It rarely ever looked quite right. This lack of cohesion is especially noticeable in one scene where a cel-drawn character is walking down a CGI spiral staircase. Or was he walking UP it? See, the thing looks so odd I couldn't even tell which direction the guy was goin' on the staircase! How's THAT for a case in point, eh? Otherwise, the 'toonage was some of the most detailed and painstakingly-rendered I've ever seen in a non-anime feature.

But even though I found the story and animation less than stellar, I thought some of the deleted scenes in the bonus features section were moderately interesting. A few parts of these scenes were rough-drawn, giving the viewer a little window into the animation process and what the film's producers worked with before adding the finishing touches to the 'toonage. The feature-length commentary track featuring co-directors Don Bluth and Gary Goldman also lets the viewer in on the more technical aspects of producing animated features in general and 'Titan A.E.' in particular. Sadly, I found their commentary so dry that I bailed out on them about twenty minutes into the feature. It also didn't help that they spoke in an almost hushed tone half the time, prompting me to turn the volume up just so I could understand them.

Also included among the special features were the usual trailers and TV spots for the movie, and a behind-the-scenes special on the making of the feature. My viewing of the BTS special made me come to the realization that I've become rather tired of most of these "making-of" featurettes that they throw onto most "special-edition" DVDs nowadays. About halfway through the show I realized I really didn't give two doots about how the animation was done, or the voice actors talking about the complexities of their characters. Immediately after making this realization, I bailed on the special and decided to go do something a little more productive-- like writing this review about the DVD.

And people say I'm a slacker...

'Late


Visuals!   May 24, 2004
Some of the most beautiful visuals of any movie to grace the screen. Should appeal to fans of Star Wars style action. Too intense for the wee ones though.


Wasted potential   May 6, 2004
This is what happens when the guy who did "Pebble and the Penguin" ventures into "Heavy Metal 2000" territory.

In the beginning I actually liked this movie. Visuals were nice, and storyline seemed promising: earth has been destroyed and humanity has spread out among the stars while being persecuted by the Drej, a race of pure energy, because they fear what we might become and also the construction of the Titan AE. Yet there were some problems I noticed that put the film on thin ice: cliche, archetype characters. For example: the brave, handsome hero and the tough, independant woman. And of course they hate each other, because after all two people can't fall in love unless they hate each other's guts first.

Things start to go downhill in the storyline though. For example, the Drej are not scary at all, nor are they dangerous. Characters are continually saying through out the film, "You can't defeat them!" Yet through out the film their fighters and ground troops are killed with one shot. And this includes one shot with a PISTOL! I don't care if its a laser pistol, its still a freggin' pistol versus a giant fightercraft.

The plotholes get bigger in the next thirty minutes. Some examples:
1) How did the hero know what the Drej lord was saying? Did he read the subtitles?
2) Do you know the hero breaks out of prison by going through the electric shield door? You're telling me one of the most advanced civilizations in the universe can't come up with a better way to imprison people?
3) Why could the hero fly the Drej plane? Where did he learn to fly it? Did he read a "Drej Plane for Dummies" in a cut scene?
4) The hero and heroine find out the captain is in league with the Drej by peeking through the door. OK...why the hell did he leave his door open if he's talking with his race's archenemy?! Didn't he think that a little bit of secrecy was in order? And then he gets mad at they heard him...he should be mad at himself!
5) So our two main characters just convinced an entire colony of people they didn't know to help build a busted spaceship, make it work, and cheer them on as they left? And how long did it take them to do this because they make it seem like it was less than a few days.
6) They didn't really flesh out why the Drej hated us so much. They keep saying "It's because of what we may become." Well all right, but isn't every race capable of being great? Why doesn't the Drej just kill every one? The Drej's despise of Titan AE seems to hold the answer until it's revealed at the end that Titan AE is meant to rebuild earth after it's destroyed. OK that explains why the Drej want to destroy it...but it doesn't explain why they hate us so much.
7) How did the little annoying green guy survive an explosion point blank?

The turncoating of the captain through out the film was totally unconvincing. He's suddenly gone from the nice, father-like figure to "I AM GOING TO KILL THEM ALL" villain stereotype. Then near the end he suddenly sacrifices his life to let the hero and heroine go, saying, "No! It's better this way!" I seriously doubt they thought that character out, instead going for every side-character cliche in the book.

The voice acting in this wasn't too great either. I wonder why? I wonder who came up with the idea that Drew Barrymore would be a great choice to play an Asian chick. And Jeanine Gerafelo's voice couldn't be any more monotone. I'll admit Nathan Lane's character had some class, although it seemed to add needless humor to a character that becomes serious in the second act, adding yet again more bad character continuity in the film.

This film had a lot of potential considering the basic storyline and the budget/artists involved. Unfortunately, it's marred by the poor script that doesn't take itself seriously at all. It's pretty much over by the end when the hero calls the new Earth "Bob." Wow what a great way to end a movie. I'm surprised Stanley Kubrick didn't have a clown instead of superhuman baby at the end of "2001."

Wait a minute...the writer of the "Buffy the Vamprie Slayer" TV series wrote this? THAT'S YOUR PROBLEM!


Shiny Production But For Younger Viewers   April 19, 2004
* At the beginning of TITAN AE, an animated science-fiction film by
Don Bluth and associates, early in the 4th millennium humanity is
working on a super-project, codenamed TITAN, that brings down the
wrath of the Drej, a race of energy beings, on humankind. The Drej
destroy Earth but the TITAN spaceship escapes, as does Cale (voice of
Matt Damon), the son of the project's leader.

Much later, after dispersed humanity has been reduced to a gypsy-like
underclass in galactic society, Cale is working in an alien scrapyard
when he is contacted by Korso (Bill Pullman), one of his father's
associates, who captains a starship with the girl Akima (Drew
Barrymore) and a group of alien flunkies. It seems that Cale has,
unknown to him, possession of the secret of the TITAN project, which
could restore humanity's fortunes. Cale then embarks on a quest to
find the lost TITAN, with the Drej in pursuit.

While TITAN AE is action-packed, well-paced, and fully of snappy
animation and computer graphics, the script is unimaginative, with
nothing much new or interesting in terms of ideas, plot, or character
development; it seems to be focused on a grade-school audience. While
that is usually the target audience for Disney animated features,
Disney usually likes to throw a few bits out to keep the adults happy
-- but TITAN AE has little in it for grown-ups, with the writing maybe
somewhat better than typical Saturday-morning cartoon fare.

As far as the animation and graphics went, I had to admire the work
put into them -- but as far as I was concerned, I saw little memorable
in terms of visuals, either. They came across as more busy than
stylish, failing to put across any sense of wonder or mystery or much
cleverness. The soundtrack, mostly based on rock tunes, was just as
forgettable as the rest.

What struck me most about TITAN AE was that it seemed to have been put
together by people who really weren't science-fiction fans. I had
to laugh a bit, because it has one of the usual giveaways: Planets are
just kind of floating around out there, and the heroes stumble on to
them almost haphazardly. In sum, I would judge this a fun movie for
kids, but I can't recommend it to older viewers.