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Downfall | 
| Director: Oliver Hirschbiegel
Actors: Bruno Ganz, Matthais Habich, Thomas Kretschmann, Corinna Harfouch, André Hennicke
Studio: Columbia TriStar
Category: DVD
List Price: CDN$ 15.93
Buy New: CDN$ 9.75
You Save: CDN$ 6.18 (39%)
New (11) Used (3) from CDN$ 7.00
Avg. Customer Rating:  5 reviews
Format: Import, Ac-3, Dolby, Ntsc, Subtitled, Widescreen
Languages: German (Original Language), Russian (Original Language), English (Subtitled)
Aspect Ratio: 1.78:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: D11545D
ISBN: 1404987606
UPC: 043396115453
EAN: 9781404987609
ASIN: B0009RCPUC
Theatrical Release Date: 2004
Release Date: August 9, 2005
Availability: Usually ships within 1 - 2 business days
Shipping: International shipping available
Condition: Brand new Item, factory Sealed. Buy direct from the U.S. and save! We only ship airmail to Canada (5-10 days).Caiman, les prix qu'on aime! Tous nos produits sont neufs. Envoi par avion des Etats-Unis
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| Editorial Reviews:
From Amazon.com
The riveting subject of Downfall is nothing less than the disintegration of Adolph Hitler in mind, body, and soul. A 2005 Academy Award nominee for best foreign language film, this German historical drama stars Bruno Ganz (Wings of Desire) as Hitler, whose psychic meltdown is depicted in sobering detail, suggesting a fallen, pathetic dictator on the verge on insanity, resorting to suicide (along with Eva Braun and Joseph and Magda Goebbels) as his Nazi empire burns amidst chaos in mid-1945. While staging most of the film in the claustrophobic bunker where Hitler spent his final days, director Oliver Hirschbiegel (Das Experiment) dares to show the gentler human side of der Fuehrer, as opposed to the pure embodiment of evil so familiar from many other Nazi-era dramas. This balanced portrayal does not inspire sympathy, however: We simply see the complexity of Hitler's character in the greater context of his inevitable downfall, and a more realistic (and therefore more horrifying) biographical portrait of madness on both epic and intimate scales. By ending with a chilling clip from the 2002 documentary Blind Spot: Hitler's Secretary, this unforgettable film gains another dimension of sobering authenticity. --Jeff Shannon
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| Customer Reviews:
Powerful depiction of the end days in the bunker March 22, 2008
1 out of 2 found this review helpful
A very powerful movie showing the end days of Nazi Germany. It is well acted and shows the different types of people around Hitler apart from Hitler himself. One gets a real sense of what it must have been like in the bunker in the dying days of the war, as it became clearer and clearer for the characters portrayed that the Nazis had lost the war. Some of characters were clearly pathological deviants without question. Others were true believers and followers, who allowed evil to happen as they so much wanted to believe the illusion they were fed, while ignoring the reality and the brutality that was all too obvious for those with eyes to see.
Lessons to be learnt in todays world, where a new rise of fascism is evident. Time to watch out and pay attention to what is really happened and done and not just to what the leaders say.
A seemingly unbiased perspective of Hitler in his final days November 16, 2007
2 out of 2 found this review helpful
I came to know of this film not from it's Academy Award nomination for best foreign film in 2005, but from having a look at Halliwell's four star film list. For the un-initiated, Leslie Halliwell (who passed away in 1989) began reviewing films by assuming each began at zero stars, then added stars for their unique qualities, with four being the best. The list of four star films currently numbers 257, and the Halliwell's successor, John Walker, bestowed Downfall with the highest rating, prompting me to have a look, since only 5 films have been added to this list since 2000 (the others being Barbarian Invasions, Gosford Park, Capote and United 93). But I digress...
Downfall provides an unflinching, yet un-characterstically sympathetic telling of Hitler's final weeks, sequestered underground in a Berlin bunker as the Russians made their victorious advance. Myriad of storylines are interwoven to give a comprehensive perspective of how Hitler's arrogance and refusal to admit defeat drove him to his cowardly suicide. Bruno Ganz gives an unrivalled and dynamically charged performance in his role as der Fuhrer, switching from a soft-hearted conversationalist with his secretary one moment, to a manic madman shouting at his generals the next. We witness his stepped transition to megalomanical denial, ignoring any and all reason from his advisors; believing still that the reich had the ability to overcome the overwhelming odds and still defeat the Russians as they surrounded Berlin. The scenes cut from the close confines of the bunker below, to the shell riddled streets of the city above, where 12 year olds man the artillery because all of the battle worthy men are either dead or fighting on the front line.
For me, the part of this film that had the most lasting impact was watching Magda Goebbels murder her six young children, believing that they were better off dead than living in a non-national socialist world. Meanwhile, throughout the bunker, various soldiers are seen getting drunk, wallowing in vodka as the bombs crater the streets above.
The visuals of this film allow an easy immersion into the chaos of the situation, and the acting is stellar across the board. The story is told from the perspective of Hitler's secretary Traudl Junge (Alexandra Maria Lara), and as previous reviewers have mentioned, dares to show a more human, compassionate side of one of history's most reviled personalities. I don't see how this story could have been told without delving into this controversial sentimentality - for it enforces the sheer madness of his master plan even more; that this man with a supposed human side can still overcome all reason in his attempts to fullfill his insane desires.
Downfall is one of the great historical dramas, on par with Das Boot, Stalingrad and Tin Drum. Highly recommended.
 Long, but thoroughly engaging, and not to be missed... January 8, 2007
4 out of 4 found this review helpful
"Downfall" is a film that tells us about Hitler's last days, when the war was already lost and before he committed suicide with Eva Braun (Juliane Khler). Truth to be told, this movie is extremely well-made, and even though it doesn't make direct reference to all the people Hitler (played by Bruno Ganz) killed, it highlights the fact that he was an extremely unbalanced person capable of doing that and much more.
Director Oliver Hirschbiegel weaves an engaging if sometimes shocking story, based on true events, as remembered by people who lived with Hitler during his last days. One of them, Traudl Junge (played Alexandra Maria Lara), was nothing less than one of Hitler's secretaries, and as such a privileged spectator of what was happening in the bunker where Hitler and his entourage stayed. The drama of war is well depicted, as is the fanaticism of many of Hitler's followers, and the desperation of former adherents that ultimately realize that they have been following a madman.
Those who already know at least a little about this period will recognize characters such as Heinrich Himmler (Ulrich Noethen), Joseph Goebbels (Ulrich Matthes) or Albert Speer (Heino Ferch), and will also probably learn about others that played a part during those last days. On the other hand, if you don't know a thing about this period, don't let that discourage you: you can always learn, and this is a good opportunity to do so.
All in all, I highly recommend this film. It is long, but thoroughly engaging, and not to be missed. I would like to add that if after seeing "Downfall" you feel like watching a documentary about the same subject, "Blind spot: Hitler's secretary" is also excellent.
Belen Alcat
An extraordinary, highly nuanced motion picture August 7, 2006
3 out of 3 found this review helpful
Downfall impressed me greatly on a number of different levels. It can't be easy to make a movie showing your country's destruction and acknowledging the atrocities your own countrymen committed. The fact that Germany won't allow publication or importing of Mein Kampf even as an historical document has always suggested to me a national desire to just pretend the events of the past never happened. For obvious reasons, I was exceedingly interested in watching this film. How would Hitler be portrayed? Would there be any mention of the Holocaust? I had these and many other questions. All those questions were answered with a surprisingly nuanced film of great complexity and depth.
Downfall chronicles not only Hitler's last days inside the bunker but the immediate aftermath of his death and Germany's surrender. To a significant degree, that story is reflected through the eyes of Traudl Junge, one of Hitler's personal secretaries. Video clips of an interview with the elderly Junge from Blind Spot: Hitler's Secretary (2002) frame the presentation (ringing rather hollow, if you ask me - but that's really neither here nor there). In the claustrophobic confines of Hitler's bunker, we witness the final days of the already broken Fuhrer, the individual dramas of those in Hitler's inner circle as they wrestle with the decision to leave or stay, and the total destruction of German society along with National Socialism.
The treatment of Hitler is, to my mind, exceedingly well done. Hitler was a much more complicated man than many give him credit for. His personal demons came to consume him, but there was a human side to the man, as well - and this film brings that out in a very nuanced way. This is not to say that Downfall makes of Hitler a sympathetic character - not in the slightest. His hate and venom are never far from the forefront, but this actually stands to reinforce his exceedingly human weaknesses. His mood swings are severe, especially as the end draws near - and he's not always rational. Betrayal drives him into a fury, especially the ultimate betrayal by Himmler. Yet he remains lucid enough to plan his death in an effort to keep his remains out of the hands of the Russians.
Almost as fascinating as Hitler himself, in both history as well as this film, are the Goebbels. Joseph Goebbels himself remained loyal to the very end, and it can be said that his wife Magda was even more dedicated to Hitler and National Socialism than he was. She, after all, killed all six of her children rather than let them grow up in a world without National Socialism - and that scene proves to be the most riveting of the entire film. Eva Braun is an almost extraordinary character in the film; maybe I'm wrong, but I don't think the filmmakers gave an accurate picture of her at all.
Then there are the military leaders who watch Hitler give orders their decimated armies cannot possibly follow. Loyalty is a powerful force in these men's lives - but their loyalty is to Germany rather than Hitler himself. For this reason, they are the ones asking Hitler to spare the German people and to think about ending the war. For some, though, the distaste of Germany's surrender from World War I overrides everything else in their determination to fight to the death - and I think that was a most telling point for the film to make. The only real problem I had with the film was the fact that I was hard pressed to identify several of the most prominent characters. All of the actors were made to resemble the men they played, but - even though I'm familiar with most of the historical figures - I really couldn't figure out the identities of several characters over the course of the film.
You may be wondering if the film actually shows Hitler's suicide on the screen - I wondered that myself. Unfortunately, I'm not going to tell you how the scene plays out. You will find a significant number of fairly graphic scenes in the film, though. It truly is a realistic presentation of Germany's darkest days, with the increasingly devastating destruction of Berlin going hand in hand with the physical and mental breakdown of the man ultimately responsible for it all. Honestly, I never expected any German filmmaker to produce such an honest, complex, awe-inspiring motion picture about their most infamous national leader. Downfall is a must-see.
Bruno Ganz is incredible! September 5, 2005
15 out of 15 found this review helpful
Quite simply, this movie is essential viewing for anyone interested in WWII. Bruno Ganz is one of Switzerland's finest actors, so convincing in this role as Hitler, that after a few minutes into the film you would swear you are watching the real fuhrer. The film has stirred up contraversy because it shows Hitler for the man he was, both the insane, obsessed madman and the soft hearted gentleman he was to his non-military staff. The movie is a chilling insight into the Nazi mind, and shows a perspective never seen before. It does stick to the truth, at least as told by Hitler's last secretary who spent the last few weeks with him. Excellent! P.S. - The film is in German and subtitled, but still well worth it.
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