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Vampyr | 
| Director: Carl Theodor Dreyer Actors: N. Babanini, Albert Bras, Baron Nicolas De Gunzberg, Henriette Gerard, Jan Hieronimko Studio: Criterion Category: DVD
List Price: CDN$ 44.99 Buy New: CDN$ 26.49 You Save: CDN$ 18.50 (41%)
New (15) Used (1) from CDN$ 26.49
Rating: 9 reviews Sales Rank: 2037
Format: Black & White, Ntsc, Special Edition, Subtitled Languages: German (Original Language), English (Subtitled) Aspect Ratio: 1.33:1 Shipping Weight (lbs): 1 Dimensions (in): 7.9 x 5.7 x 1.7
MPN: CC1757DDVD UPC: 715515030427 EAN: 0715515030427 ASIN: B00180R06I
Theatrical Release Date: 1931 Release Date: July 22, 2008 Availability: Usually ships within 1 - 2 business days Shipping: International shipping available Condition: Brand new Item, factory Sealed. Buy direct from the U.S. and save! We only ship airmail to Canada (7-15 days).Caiman, les prix qu'on aime! Tous nos produits sont neufs. Envoi par avion des Etats-Unis
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| Customer Reviews: Read 4 more reviews...
A human soul in fear of Death cried out April 29, 2008 E. A Solinas (MD USA) 5 out of 5 found this review helpful
The rat-toothed Nosferatu and the charming Transylvanian Count are the best known examples of early vampire movies, mostly because there weren't very many others at the time. But more often than not, "Vampyr" gets passed over when you talk about early vampire movies -- and that's a shame. Carl Th. Dreyer's masterpiece (loosely based on the works of J. Sheridan Le Fanu) is a straightforward little story wrapped in a hazy cocoon of dreamlike imagery and haunting direction. From the very beginning, this movie clings to you like a spiderweb. Occult student Allan Gray is staying at a hotel in the French countryside. But after being woken by a strange old man's cryptic warning, he finds that the inn is swarming with eerie supernatural happenings, including shadows that move independently. After he departs, a strange old man lets an ancient crone out of a closet. And when Allan arrives at a nearby chateau, he finds that the owner has been murdered, and his daughter Leone is suffering from mysterious wounds. After the girl is rescued from a strange old crone, she begins acting predatory toward her sister Gisele -- and the weird old doctor says that only a transfusion will save her. But the doctor is in league with the vampire -- and is working to destroy Leone... "Vampyr" has a pretty simple storyline, loosely based on a couple of J. Sheridan Le Fanu's short stories (including the classic "Carmilla"). But it's not the plot that makes this movie a classic -- it's the powerful, ghostly visuals that permeate it. And the beautiful real-life settings (the inn, chateau and church) don't hurt the atmosphere of it all. In many ways, "Vampyr" is like a silent movie -- the characters are quiet, text cards intersperse the scenes, and several minutes are taken up by printed text from the "History of Vampires" book. In addition to this, the visuals are so powerful that it's almost a shock when one of the characters actually speaks out loud. Even then, nobody says anything unless it's actually necessary. Dreyer films this movie as if it were a choreographed dream, letting the camera drift through ornate rooms and hazy hills. And he often fixed on striking images -- pale feverish faces, still windvanes, cloudy skies, scythes, and the movement of shadows on walls and the ground. And there are some spectacularly creepy moments, such as when Leone starts baring her teeth gleefully at Gisele, or Allan watching the view from inside a coffin. And he steeps the entire movie in dreamlike effects -- hazy countrysides, skeletons, floating girls, and shadows that can dance and move independently. These strange effects are done almost effortlessly, adding to the feeling that you're surrounded by the unreal. Dreyer even puts a note of humor in from time to time, such as the dancing shadows with their little folk band. Julian West (aka Nicolas de Gunzburg) does a pretty solid job as our unflappable hero, although I question how his suit remains pristine all through the movie -- and he does a glorious job in that bizarre dream sequence. Sybille Schmitz has a small part, but is wonderfully feral as she starts to turn vampiric, and Henriette Gérard is unspeakably creepy as the ancient, stone-faced vampire who wants other people to suffer as well. Criterion is apparently giving "Vampyr" the treatment it sorely needs, cleaning up the prints in an effort to restore the clarity. It's also got new subtitles, loads of information about Dreyer, his filmmaking and the creation of "Vampyr," articles about it, the screenplay and one of Le Fanu's short stories. Nice to see this underrated little movie is getting the attention is deserves. Carl Th. Dreyer's "Vampyr" is a rarity among vampire movies -- all haunting images and ghostly, subtle horror, with excellent acting and exquisite directions. It's a cinematic classic that should not be overlooked.
Package doesnŭt really match the movie March 8, 2002 Jeffrey Leeper (Seattle, WA USA) 1 out of 1 found this review helpful
When I picked up "Vampyr," I thought of all the commentary I have read about the film. I read the back of the package and was a little dismayed that the ending was given right there. Don't worry, the package is wrong, so the ending is not spoiled. And, that is not the only thing that is not right.First, the movie does have subtitles, but they are not in English. When the hero is reading a book, you see a Germanic or Dutch gothic script, then a translation in English will appear. This covers the whole screen so I would not say it was subtitled. When you do see the subtitles, they are not in German or English. From reading another review, I am inclined to believe it is in Dutch. There is some classic vampire folklore in the movie, not just what we learn from "Dracula." Don't be dismayed, the vampire, or vampyr, is still a malevolent being. It is interesting to see the other attributes given to these creatures in different cultures. In regard to quality, I find it is a great film. Since it was originally filmed in 1931, the video was taken from the original film. Because of this, there is quite a bit of distortion and hissing (sometimes sounding like a helicopter in the distance or a trawling motor). This distortion can make the actual words and music sound faint. Although this may look like a silent film, it is not. You just have to listen for it. I think it adds to the eerie effect rather than detracts from it. Think of it like reading an ancient book that has the feel and smell of antiquity. Carl Dreyer is experimental in his camera tricks. Remember that he is not making errors. He is using these tricks to help add to the ambience. For instance, take a close look at the shadow of the guy shoveling. That is all I will say there. If you are a vampire or horror enthusiast, this is a must see. If your idea of horror is the typical "Nightmare on Elm Street" movie, then you may want to give this a skip. It is nice to see where other horror directors got their ideas though.
A Haunting & Lyrical Nightmare February 17, 2002 Raniel Almaria (Mt. Prospect, IL United States) VAMPYR is a very hypnotic horror film. It may seem slow going & somewhat incoherent, but let the atmosphere of the movie wash over the viewer. This movie should be savored for its chilling atmosphere. A variation of Sheridan Le Fanu's CARMILLA, VAMPYR is about mood, atmosphere, shadows, & light. The sounds & the dialogue seem muffled, but that's what adds to the chilling atmosphere. Like watching a virtual lyrical nightmare, VAMPYR is a nightmarish classic.
hypotically beautiful film, atmospheric and ominous November 14, 2001 J from NY (New York) this movie is pure gustave moreau and pure surrealism! west's character watching himself being taken to the grave is, for some odd reason, absolutely terrifying, and although the movie becomes a little slow paced at times, this only adds to it's subtlety and admirable disdain for meaningless action. this is a horror film for real horror film fans, not sickos out to see gore and blood. even if the story is a little trite and utterly conventional as far as the vampire legend goes, buy it for the haunting and absolutely stunning imagery. there are scenes in this little gem that will stick out in your mind a long time after you view it.
A painterly film November 5, 2001 S. Gustafson (New Albany, IN USA) What astounds me about early and silent films is the frequent painterliness of the images you see on film. The imagery of Symbolist painting seems especially conspicuous. It seems obvious, for example, that Pastrone's -Cabiria- and D. W. Griffith's -Intolerance- bathed deep in the influence of Gustave Moreau. Griffith's good girls seem sometimes to have stepped out of the canvases of Puvis de Chavannes or Burne-Jones.This is a Scandinavian vampire film. Where else would you look for visual references, than early Edvard Munch? This is what jumps out at me in this film. In the scenes with the vampire-contaminated girl on her sickbed, Dreyer seems to be wanting to recreate Munch's -The Sick Girl- and -Spring-. The sister [?] in the castle seems to have been made up to look like a somewhat scrawny version of Inger Munch, the painter's sister, who modelled over and over again throughout the paintings. Of course, expressionist movies and expressionist paintings naturally go along hand in hand. This movie is somewhat hard to watch at times; the pacing is definitely odd and disorienting. On the version I have, the subtitles are done in large black-letter script. Fortunately, they do not often appear, and unlike the text insets are mostly irrelevant to what is going on. This is basically a silent film with a soundtrack added. The soundtrack cuts out at times. Not for everybody, but not awful, either.
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