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American Psycho | 
| Director: Mary Harron
Actors: Christian Bale, Willem Dafoe, Jared Leto, Josh Lucas, Samantha Mathis
Studio: Universal Studios
Category: DVD
This item is no longer available
Rating:  250 reviews
Format: Import, Ntsc, Widescreen
Language: English (Original Language)
Rating: R (Restricted)
Region: 1
Aspect Ratio: 2.35:1
Picture Format: Anamorphic Widescreen
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
ISBN: 0783246684
UPC: 025192094224
EAN: 9780783246680
ASIN: B00004U8H4
Theatrical Release Date: April 14, 2000
Release Date: September 5, 2000
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From Amazon.com essential video
The Bret Easton Ellis novel IAmerican Psycho/I, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (II Shot Andy Warhol/I) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (IGo Fish/I) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. I--Sean Axmaker/I
Additional Features
Prior to the theatrical release of IAmerican Psycho/I, director Mary Harron agreed to shorten one scene in order to avoid the dreaded NC-17 rating. The controversial scene--in which Christian Bale's character engages in wild sexual activity with two prostitutes--has been restored to its original pre-release length for the film's unrated release on VHS and DVD. Apart from the shortening of this scene, the R-rated and unrated versions of the film are identical.
Amazon.com essential video
The Bret Easton Ellis novel IAmerican Psycho/I, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (II Shot Andy Warhol/I) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (IGo Fish/I) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. I--Sean Axmaker/I
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| Customer Reviews: Read 245 more reviews...
 This Is Only A Film After All! August 2, 2008
Ian Gordon Malcomson (Smithers, Canada)
My evaluation of this monstrously nasty film is that the director Harron is on another one of her grand experiments with modern filming. This time she's found another questionable American archetype - the successfully wealthy, greedy, amoral investor banker from Wall Street - and elevated him in god-like fashion, only to have him ruthlessly destroy himself by yielding to the worst vice possible: a serious lack of respect for life. How she contrives this story makes the movie worth watching. Everything in the story line is a metaphor for what has gone wrong in the Age of Reaganomics, where the lust for money is truly in Harron's mind the root of all evil. We get to see Patrick Bateman, at the pinacle of power, portrayed as someone who can order people around, assume different identifies, flaut rules, and dispense with life in whatever fashion he chooses. His lifestyle, right from the start of the film, is so deranged and outrageous that the viewer can't help but offer a helpless laugh at such homicidal insanity. Call it gallows humor but as a device it helps introduce the viewer to the subject of gratuitious violence in a disarming way. While every decent person should be outrightly disgusted at such fiendishly, indecent behaviour on the big screen, some of us aren't. There is a part of us - the soft underbelly of our existence - that wants to laugh, and that's okay. In Harron's mind, this twisted film says as much about how people react to violence as about the untold misery its heaps on society. As Bateman goes on his homicidal mission to answer to the uncontrolled urge to kill, we get to see how the world around him responds. Now, I found that lack of care, concern, and compassion to be the real issue in this flick. Harron does a remarkable job in showing society as individually fixated on success that it can't for one moment exercise the responsibility of being one's brother's keeper. Get beyond the shock value of this movie and there might be something of value to learn about life in modern America. I have been advised to read Easton Ellis's novel-version in order to get a stronger sense of how alienated the individual has become in modern times. Overall, a entertaining watch but still a chilling reminder of the dark side of life.
 Would the real Paul Allen please stand up. March 17, 2008
B. Hodgkins (Earth)
I have always like this movie more than it probably deserves. I am not going to apologize for it though. br / br /This movie is a dark satirical look at yuppie life in 1980's Manhattan. A world dominated by greed, status and power. In the middle of this surface obsessed microcosm is Patrick Bateman. Bateman, played by Christian Bale, is a handsome young business man who is the personification of the 80's yuppie. He is also a serial killer fighting to keep his "mask of sanity" from slipping. A task which he finds increasingly difficult as his urges to kill gradually become more intense and uncontrollable as the movie progresses. br / br /I find this character fascinating from a psychopathological perspective. Bale does a stellar job in his portrayal of this disturbed young man.The dark humor makes the gruesomeness of this film this palatable. Watch it.
"I like to dissect girls. Did you know I'm utterly insane?" July 12, 2007
Kasey Driscoll (Raynham, MA United States)
1 out of 1 found this review helpful
Mary Harron's film is a depiction of the Bret Easton Ellis (Rules of Attraction, Less Than Zero) controversial novel of the same name. It's only significant difference is that it leaves out some of the more gruesome scenarios in Ellis's book. I'm not sure whether that's a drawback or not but there was some rage missing in our killer's actions. The film operates as a first person narrative and contains the same kind of oddball combinations of extreme violence and dark humor. This kind of humor is exactly my kind of humor, so I laughed at American Psycho throughout. Mary Harron also seemed to recognize that the novel was old enough that she should approach the film as a period piece and she executes this well. Everything about this movie feels like the late 1980s. She creates a virtual remake of the novel as I pictured it in my head years ago. From what I understand Harron also fought hard to keep the role of Patrick Bateman (the title character and the story's protagonist) in the capable hands of Christian Bale. Bale is outstanding here and Harron really seems to be a directorial force with her actors. br / br /Patrick Bateman is a 27 year-old wealthy and successful investor. He is clearly a product of a privileged and ultra-competitive background. We follow him around and listen to all of his observations of the world he lives in. This is of course the yuppie culture of the 1980s. Perhaps Bateman is the extreme yuppie and a harbinger to the ills of this socially produced subgroup and the culture they exist in. As it turns out his world features the substantiality that he is indeed a murderer. Unfortunately no one seems to notice this, despite his blatant and at times hilariously dry claims that he is a psycho. Evidence of his murders also seemed to disappear quite easily. American Psycho, like the novel, is a great satire that might leave viewers with some frustrating questions in the end. What was real and what was imaginary? br / br /The rest of the cast includes Wilem Dafoe, Jared Leto, Chloe Sevigny, and Reese Witherspoon. All are fairly effective within their roles but the film weighed heavily on Bale's performance. He understands Patrick Bateman and makes the character the mind-blowingly shallow and overly competitive monster he is. br / br /The thing that surprises me most is that a great female director like Harron decided to take on a story so pervasively accused of misogyny. Harron's other films are about a radical feminist (Valerie Salanas in I Shot Andy Warhol) and an icon of women's liberation (Bettie Page in The Notorious Bettie Page). I almost think she intentionally went against the grain here to break out of the mold Hollywood can often create for women and minority directors. Good for her. Her movies are interesting and American Psycho is a stand-out.
I must be crazy to watch this June 23, 2007
Jenny J.J.I. (That Lives in Northern Nevada)
I've finally caught a full viewing of the "American Psycho" because every time it came on TV I would usually catch it towards the end then turn it off. First I must say I found the title somewhat misleading as I fully expected it to be another slasher flick, but it's actually a psychological thriller with a dash of satire. br / br /Christian Bale, as Patrick Bateman, gives a striking performance as a young, wealthy Wall Street yuppie, representing corporate America in the 1980's, where he and his peers are obsessed with getting into the trendiest restaurants and which of them possess the finest business cards. They all have the same haircut and wear the same business suits, rendering them nearly interchangeable and making for frequent cases of mistaken identity. br / br /Bateman, whose idea of foreplay is pontificating on the merits of his favorite 1980's songs, is disgusted with his fellow man's lust for material status and conformity. Lacking emotion, he acts on impulse and murders co-workers and clueless prostitutes while maintaining the facade of shallow, materialistic conformity. Unfortunately, the shallow lifestyle is the very thing that leaves him feeling empty inside and provokes the killings. br / br /The conclusion of the film leaves it to the audience to determine whether Bateman actually murdered anyone or if he merely fantasized the killings. Perhaps it was yet another case of mistaken identity, one which allowed Bateman to get away with murder. Of course American Psycho II (which I saw before part one) answers the question of whether or not he was a murderer. The movie was violent, but not as much of the book. However, I think blood and gore would have taken away from the overall satire of the film by turning it into a campy horror movie. The film had a not-so-clear subtext: The absurdity of the killer's actions and motives equal that of the rich, corporate, snob's. Directed by a woman, American Psycho is a thought-provoking study of the inner workings of a dark and twisted mind. It's a good one to watch especially for the price that Amazon is placing it for. br /
Always amusing December 30, 2004
1 out of 1 found this review helpful
Perhaps it is my dark humour, but I've always enjoyed this film. Never take it too seriously, however. If you're looking for a dark satire about Wall Street and corporate America in the '80s, you've got it. Plus, Christian Bale is beyond excellent. Rarely have I been disappointed with any of his films. Reese Witherspoon's character is a bit like her Legally Blonde one later, just slightly less ditzy (and far less pink).pWorth at least one watch, but I'd recommend buying it.
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