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Forty Guns | 
| Director: Samuel Fuller
Actors: Gene Barry, Jack "judge" Carroll, Robert Dix, Paul Dubov, John Ericson
Studio: 20th Century Fox
Category: DVD
List Price: CDN$ 16.98
Buy New: CDN$ 9.79
You Save: CDN$ 7.19 (42%)
New (16) Used (2) from CDN$ 9.79
Sales Rank: 20804
Format: Ntsc
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled)
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: D2227292D
UPC: 024543172918
EAN: 0024543172918
ASIN: B0007PALOI
Theatrical Release Date: 1957
Release Date: May 24, 2005
Availability: Usually ships within 1 - 2 business days
Shipping: International shipping available
Condition: BRAND NEW - Shipped within 24 hrs via Airmail from the USA - Average 5 to 10 workdays delivery time. Excellent customer service. NEUF - Envoy? par avion des USA sous 24 hrs - Livraison en moyenne de 5 a 10 jours ouvres. Service clientele en francais.
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From Amazon.com
Forty Guns is the most rampantly sexualized Western ever made, and the most outrageous of Samuel Fuller's late-'50s B movies. Fuller's original title was "Woman with a Whip," referring to the hard-riding range baroness--Barbara Stanwyck, sporting silver hair and (most of the time) black, skintight man togs--who's "the boss of Cochise County" and a law unto herself. The forty guns are an army of pistoleros who accompany her just about everywhere, and Fuller misses no opportunity to exaggerate their macho assertiveness in black-and-white CinemaScope, whether thundering along the horizon or formed up on either side of a preposterously long dinner table with Stanwyck at its head. Barry Sullivan costars as a Wyatt Earp-like gunfighter who both threatens Stanwyck's empire and awakens her lust for something besides power. As one of his brothers, Gene Barry (soon to star in Fuller's mind-blowing Vietnam movie China Gate) enjoys a passionate liaison with a gunsmith's busty blond daughter (Eve Brent) whom he romances down the bore of a rifle--an image Jean-Luc Godard would memorialize in Breathless. In the relentlessly double-entendre dialogue and the blocking of scenes, everything takes on sexual overtones: power and impotence, political advantage and exclusion. Fuller and cameraman Joseph Biroc capture many sequences in single, minutes-long takes that often end in a death--and in one perverse instance, the revelation of a death that has occurred midway through without our knowing it. (It's a T.S. Eliot moment, though we won't insist on it.) Style is all in this movie, which will leave you either astonished or aghast. More likely, both. --Richard T. Jameson
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