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Come And See

Come And See
Director: Elem Klimov
Actors: Vladas Bagdonas, Alexei Kravchenko, Victor Lorents, Olga Mironova, Liubomiras Lauciavicius
Studio: Kino
Category: DVD

List Price: CDN$ 34.95
Buy New: CDN$ 21.07
You Save: CDN$ 13.88 (40%)



New (11) Used (1) from CDN$ 21.07

Rating: 4.5 out of 5 stars 59 reviews
Sales Rank: 13456

Format: Ntsc, Subtitled
Languages: German (Original Language), Russian (Original Language), English (Subtitled)
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6

MPN: 3172
UPC: 738329031725
EAN: 0738329031725
ASIN: B0000BWVCR

Theatrical Release Date: 1985
Release Date: September 1, 2004
Availability: Usually ships within 1 - 2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Ships from the USA. ALL ITEMS ARE BRAND NEW! Delivery takes from 10-14 Working Days.

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Customer Reviews:   Read 54 more reviews...

5 out of 5 stars Superb artistic achievment, should be better known.   October 5, 2007
P. Gorse
I had to write this review in response to the comments below which denigrate this magnificent film as Communist propaganda. First, I think we should separate politics from art. "Battleship Potemkin" and "Triumph of the Will" are two masterpieces that support evil regimes. Yet we can appreciate their technical and artistic skill without becoming Communists or Nazis.

Second, "Come and See" is an accurate historical portrayal of a Nazi massacre of a Belarussian village. While I sympathize with the fact that we hear next to nothing about the Communist massacres, and are inundated with news about the Nazi massacres due to the Holocaust, we should not attack the film on such grounds. Somebody should get up and make a film about the rape of Germany at the hands of Soviets if they are so inclined.

Last, "Come and See" is astounding cinema. The tracking shots and surreal atmosphere are brilliantly rendered. This film is a cross between "Apocalypse Now" and "Schindler's List" and equally good if not better. The lead performance by the teenage actor Aleksei Kravchenko is awesome. "Come and See" is one of the most harrowing movies ever made, and should be watched by everyone.



2 out of 5 stars Mediocre   July 5, 2007
Rob Larmer (Harvey,NB,canada)
Come and See is certainly not a bad film, it has an extremely powerful ending 20 minutes, and to some degree it is a very good anti-war statement. However, there are many flaws in this film; animal cruelty (a nest of baby birds is crushed underfoot, a cow is shot up with a machine gun) is the one thing that bothered me the most, but the films also suffers from a much too surrealistic atmosphere early on. I didn't know what I was seeing at first, but it was very strange and almost like a bad trip. Although this kind of thing works well in some films, it is horribly overdone in a war film such as this.
The surrealism subsides and offers a very good anti-German statement towards the end, but the surrealism seriously detracts from the film.

Another thing that left me slightly annoyed was its great sympathy for the Soviet Union; making it look as if Stalin and his people were somehow victims of the evil Nazis. Yes Germany was pretty evil, but the Soviet Union was just as bad, if not worse. Often times prisoners of war were forced to eat there own genitalia under Stalin's orders! Maybe its just me, but I don't have a lot of sympathy for such a man or such politics. This film paints the Soviets as victims, when in fact they were probably the biggest persecutors in the war.

So it isn't a horrible film, and it has its power, but the animal cruelty, surrealism and pro-Stalin attributes cause me to see that Come & See really is not as powerful a film as All Quiet on the Western Front (1930) or Platoon (1986).

Overall I give it a 5/10; good, but flawed.



1 out of 5 stars Communist propaganda   February 14, 2007
Sepp Dietrich
1 out of 6 found this review helpful

This movie is pure Communist propaganda designed to fool the Russian people and western liberals and this objective was achieved. What the movie does not present is the brutal nature of the entire Soviet system. Stalin had already made plans to wage a guerrilla war in the event that Germany should invade the USSR. At the same time Stalin was planning to invade Germany when the attack on the Soviet Union. It has always been part of the Communist philosophy of warfare that partisan groups would wage a war behind the lines while the regular forces were engaged with the regular forces of its enemies.

The movie portrays the Soviet partisans as heroes who engage in the killing of POWs only as a retaliation for crimes the Germans had committed against defenseless civilians. The German forces are seen as a mob who commit rape, looting, burning villages with their inhabitants locked inside buildings. What we don't see are the orders Stalin issued to every Soviet citizen to kill anything that was German and to engage in this without pity and with the most cruelty posssible. For the first two years of the German-Russian war, the Soviets took no prisoners and throughout the war, the Soviets killed all wounded Axis personnel since they required medical care and could not work. One million Germans were killed or allowed to die after being captured. Who knows how many Italians, Hungarians, Croats, Rumanians, Finns, etc. suffered the same fate. The Soviets routinely cut off the genitals of their prisoners and stuffed them into their mouths, to choke to death. The Viet Cong and Tito's partisans did the same.

The Soviets repudiated the Geneva and Hague Conventions on the treatment of POWs which the Czar had signed. This film was produced in 1985 by Communists as part of the Cold War to fool the ignorant and the liberals into supporting the Communist cause and in this they succeeded admirably.



5 out of 5 stars Hey Dipsh*t. Yes, you Mr. Howard Marks   July 1, 2004
Kavon W. Nikrad (St. Louis Park, MN)
4 out of 22 found this review helpful

This forum is not the place for your anti-American propaganda bullsh*t. This forum is for the discussion of the film, "Idi i Smotri" (Come and See).

You sit in you high and mighty UK and bash the US while conveniently leaving out the 3 centuries or so of oppression and genocide comitted BY YOUR BRITISH EMPIRE all over the globe.

Half of my family is from Russia, were this film is set; and I can tell you that we are happy to live in a country such a America. Is America's past perfect? Absolutely not. But neither is England's, Germany's, Russia, France, Japan, China, etc...

Get off your high horse and take a deep breath of the fresh free air- which is brought to you via hundreds of thousands of dead American GI's thoughout two world wars.


5 out of 5 stars COME AND SEE (Elem Klimov,1985) released by RUSCICO   May 21, 2004
1 out of 1 found this review helpful

In 1943 Byelorussia, Florya (Aleksei Kravchenko), a 14-year-old boy who is eager to fight the Germans, goes off to join the Russian army, against the pleadings of his mother. But the regiment makes him stay behind at the camp, and he wanders off on his own, joined by a peasant girl (Olga Mironova). Rendered partially deaf by aerial bombardment, and evading capture from German paratroopers, he tries to return home, but fate guides him to a band of partisans, after which his journey leads him ever deeper into the inferno of the Nazi invasion.
The picture's rigorously subjective style, hallucinatory imagery, and refusal to soften or glamorize the realities of war, makes it something of a milestone in the Soviet World War II film, a genre distinguished, at its best, by a sense of grief over the great tragedy of that conflict, which killed an estimated twenty million Russians. In Byelorussia, the Germans systematically wiped out hundreds of towns, rounding men, women, and children into barns and burning them alive. By depicting these horrific events through the eye of a naive boy, Klimov gives them immediacy, elevating them above the mere recounting of historical fact into the heightened realm of an actual witnessing, where they appear strange, grotesque, and unbearable.
Kravchenko's almost wordless performance is riveting. Over the course of the film we see his face become aged beyond his years, hardening into a mask of fear and trauma that reflects every atrocity he has seen and endured. The film is constantly directing our attention to people's faces, their expressions, their stares and glances, which visually emphasizes the fact that all these horrors are happening to people, to someone, the unutterable limits of inhumanity experienced in the souls and feelings of living beings. Klimov doesn't let the viewer detach to contemplate psychology or motivation, but brings us down to the stark level of survival, where his young protagonist lives.
Sometimes the images are lyrical, as in the brilliant sequence in a forest where Florya and the girl are hiding. The girl dances in the rain, a stork wanders through a clearing -- the beauty is tinged with fear and ominous foreboding. When Florya is deafened, the movie's soundtrack is muffled, and the music and sound effects express his disorientation and maddening inability to connect with what's going on around him. At key moments, Klimov always chooses an unexpected image or shot, startling us out of ordinary perception and keeping us on edge, as in the scene when Florya and a partisan are stealing a cow and come under fire, and we suddenly see a close-up of the cow's eye, another uncomprehending creature subjected to the merciless insanity of this world.
Come and See (even the title alludes to our role as witnesses, willing or not) is a deeply unsettling experience. This is a film designed to shake you to the core of your being, a vision of what life looks like when all we know and cherish is savagely uprooted, when love and morality are ripped away and humans turn into beasts. In one of the film's most daring flourishes, Florya vents his rage on a symbol -- a picture of Hitler -- and with each gunshot Klimov moves the newsreel images of history backwards, undoing in fantasy what can never be undone, until we are left with the haunting face of a child. The shooting stops; we can never go back, but we will never -- should never -- forget.

P.S. To watch the movie preview video clip you can on russianDVD.com website for free.