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Tell Tale Signs: the Bootleg Series Vol.8/Rare and Unreleased 1989-2006

Tell Tale Signs: the Bootleg Series Vol.8/Rare and Unreleased 1989-2006


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Artist: Bob Dylan
Label: Columbia
Category: Music

List Price: £21.99
Buy Used: £11.52
You Save: £10.47 (48%)



New (39) Used (5) from £11.52

Rating: 2.5 out of 5 stars 60 reviews
Sales Rank: 342

Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.4
Dimensions (in): 5.7 x 4.8 x 0.6

MPN: 735795
UPC: 886973579527
EAN: 0886973579527
ASIN: B001D06SEI

Release Date: October 6, 2008
Availability: Usually dispatched within 1-2 business days
Shipping: International shipping available
Condition: Item is in a mint condition. NOW!! Buy 5 or more items a day and get one for free!!!

Tracks:

  Disc 1
  • Mississippi
  • Most Of The Time
  • Dignity
  • Someday Baby
  • Red River Shore
  • Tell Ol' Bill
  • Born In Time
  • Can't Wait
  • Everything Is Broken
  • Dreamin' Of You
  • Huck's Tune
  • Marchin' To The City
  • High Water (For Charley Patton)

  Disc 2
  • Mississippi (1)
  • 32 20 Blues
  • Series Of Dreams
  • God Knows
  • Can't Escape From You
  • Dignity (1)
  • Ring Them Bells
  • Cocaine Blues
  • Ain't Talkin'
  • Girl On The Greenbriar Shore
  • Lonesome Day Blues
  • Miss The Mississippi
  • Lonesome River - Dylan, Bob Ralph Stanley
  • 'Cross The Green Mountain

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Editorial Reviews:

Amazon.co.uk Review
Subtitled "Rare and Unreleased 1989-2006", ITell Tale Signs/I, the eighth of Dylan's long running Bootleg series of officially approved outtakes, comes in two formats. The two-disc version consists of 27 tracks, including alternate versions of songs from his last three studio sets: iOh Mercy/i, iTime out of Mind/i and iModern Times/i. Even non-obsessives will be seduced by the highlights here. A lovely sparse solo version of "Most of the Time", just Dylan strumming guitar and blowing a wheezy harmonica, outdoes the Daniel Lanois-produced original. The bleak, stately "Can't Escape from You", the sad and beautiful Civil War epic "Cross the Green Mountain", "The Lonesome River" a bluegrass standard with vocals from Ralph Stanley and a great, lo-fi live version of Reverend Gary Davis's influential "Cocaine Blues" are all standouts. Two versions of "Dignity"--a piano demo that reduces it to an oddly naked state and an unexpected rockabilly take--neatly capture the idea behind these volumes--to expose dedicated fans to the overlooked and underestimated parts of Dylan's constantly shifting oeuvre. i--Steve Jelbert/i


Customer Reviews:   Read 55 more reviews...

5 out of 5 stars Five-star plus!   December 28, 2008
D. M. Bell
I've been listening to this album since its release and I think it contains some of Dylan's best recordings. Couldn't believe the poor overall star rating - reviews should be for musical quality only surely, otherwise it's very misleading. Do yourself a favour and buy this album - it's great.


5 out of 5 stars For the 2 Cd set   December 7, 2008
M. Johnson (London, UK)
1 out of 1 found this review helpful

I agree about ridiculous price for the 3 CD set even though I would love to hear the third CD. Its a shame because passers by on the site will get the impression from average star rating that this is a poor collection, which is completely wrong. It ranges from good to absolutely brilliant. The alternative versions of "Missisippi" are unmissable, ditto live versions of "High Water" and "Ring Them Bells". Much else of great quality. The booklet is good too. br / br /To the record company: please release the third CD on its own for those of us who could not afford the ridiculous price tag and who bought the double.


5 out of 5 stars 1 star reviews of a 5 star album!   December 4, 2008
Tim C (Frome, UK)
3 out of 5 found this review helpful

All the 29 (so far) 1 star reviews are not reviews of the music but of the marketing of the 3CD version. Amongst them are some very angry long standing Dylan fans who refuse to even buy any of the versions, not merely the over priced deluxe version. Well, thats their loss. br / br /I started listening to Dylan as a teenager in the early 60's and have always felt that the first three albums from the electric period were the peak of an amazing career. This new collection is another wonderful peak that has enabled me to revisit the period they cover and add to my appreciation of his later career. I have not yet found a song to better my personal Dylan favourite 'Desolation Row' but there are several that come close after a few weeks of listening and the collection only adds to my gratitude that the man and his music have been around during my lifetime. br / br /I doubt that Mr D. gives a toss about these 1 star opinions of the marketing division of Sony and can't imagine he would be troubled by those who resort to non-retail means of obtaining the music. The 3rd CD whether you pay for it or not is the equal in musical terms to the other two - so 15 stars in all!


5 out of 5 stars worth the money   December 2, 2008
R. Bokhamada (uk)
0 out of 1 found this review helpful

whatever he made and still makes is worth every cent...what's good about dylan is that he never cheats his fan...


5 out of 5 stars Keep those bootlegs coming, Columbia   November 22, 2008
Mr. A. D. Procter (Leeds, England)
5 out of 6 found this review helpful

I'll start off with a brief point. A lot of people have marked this item a poor buy because of a very different and overpriced 3cd version of it. But this is the rather cheap 2cd version, the one which is advertised here and the one which I plan to review. By the way, for the completist, there are people selling a copy of the third disc on ebay, so fret ye not! br / br /As far as Bob Dylan is concerned, no two performances of a song should ever be the same. On this release, he proves his point and yet he also proves like Neil Young that he doesn't always release his best songs or the best versions of them. The first track kicks off with such a gorgeous version of Mississippi! I loved the released version, but the way Bob sings it is so tender here, the backing an almost a lilting and sympathetic response. Its not that its necessarily a 'better' version than the more strident one on Love and Theft. Its just completely different!! The same with Most of The Time, which sees Bob here sing it like the folk days of old instead of the swampy one on Oh Mercy. The real jewel in the crown on the first disc in terms of alternative versions must go to Born In Time. This is in every way a far superior version, making the one on Under The Red Sky sound frumpy and slapdash and devoid of purpose. By far the greatest unreleased song on disc one, and maybe the best of all on the set is Red River Shore. How Time Out Of Mind would have benefitted with a song like that. I'd swap it for Make You Feel My Love in an instant! Marching To The City, an unreleased song from the same sessions, and Dreaming Of You are also quite mindblowing. The live version of High Water is a revelation for all of those who have not seen him in person of late. Electrifying! br /The second disc isn't quite as stupefying, if only because the alternative versions are not so different, although if this version of Ain't Talking had ended Modern Times, it would have made this Bobcat very happy indeed. The song 'God Knows' is also far superior to the released version. There are a few more live versions of his songs, the best being Ring Them Bells.... As far as unreleased songs go Can't Escape From You is an absolute gem, a real lost child and one I'm so glad I've heard. Its the one song that truly stayed in my head when I was working, just winding its way through my mind until I couldn't wait to get home and listen to the whole lot again. And to finish off, 'Cross The Green Mountain', previously released on a soundtrack which I hadn't heard is beautiful in the same way Workingman's Blues#2 was; an almost elegaic, frontier song that sounds so familiar yet original. br /Oh, and how could he have left 32/20, the Robert Johnson song off World Gone Wrong??? br /Like the rest of the Bootleg series, this is just stirring, powerful stuff, and far more emotion is being relayed here than in many of the songs he released in the period. Maybe he didn't want to let too much of himself go at the time. But they're here now, and I'm thankful