Welcome to The Sub Zone
The Sub Zone is the place to get accurate, data driven test results on how the many subwoofer models compare to the manufacturer's specifications. Additionally a majority, if not all, of the tests will be coupled with a subjective listening review and impressions, which we hope will give the reader a much more complete picture of a particular subwoofer.
The Sub Zone Testing Methodology
This particular thread is to serve as the single source for all questions with regard to The Sub Zone testing methodology. This is the information I refer to before and during my testing. If there are any changes to the environment or methodology, it will be reflected here as well as in the results thread in which a change occurred.
Tests for The Sub Zone subwoofer testing forum will be conducted outside in an open area with the nearest reflection point being no closer than 35 feet away. I will be measuring frequencies down to 0 Hz and up to 200 Hz. This obviously falls outside of all manufacturer specifications, however, it creates a level playing field for measuring against all manufacturer specifications and will provide more consistent results. This is not a ‘shootout’ or any other competition between subwoofer manufacturers. I will do my best to provide the data that directly compares a subwoofer’s results with the stated manufacturer specs.
This is The Sub Zone
There are obviously many concerns when performing these tests outside such as ambient and random background noise, trains, planes and yes automobiles. Weather can also play a large factor when testing subwoofers outside. Wind, temperature and barometric pressure are all things that must be taken into account when setting up these tests and pre-test checks are absolutely critical to getting consistently accurate results.
A majority the subs being tested will be accompanied with a subjective listening review in order to paint a complete picture of a given subwoofers potential. The Sub Zone tests will not include any of the information in those reviews however, the reviews will include a section for measured results both outside and in-room.
I will be using the following equipment to conduct all tests. As I update or replace equipment, I will re-visit this thread to update those changes.
Dell Latitude 6400 Running Windows 7 64-bit Operating System.
Creative X-Fi 5.1 External/USB
- USB 2.0: Stereo/Surround: Up to 24-bit/96kHz
- USB 1.1: Stereo: 24-bit/96kHz Surround: 16-bit/48kHz
- Mic In/Line In
- Headphone/Front Left & Right Speaker Output
- Center/Sub Output
- Rear Left & Right Speaker Output
- Optical Digital Output
The IBF-EMM8 electret microphone utilizes a small, accurate omni directional capsule housed in an aluminum body. The EMM8 connects to the MP-r1 using a 50’ shielded digital coaxial cable, which provides bias power to the EMM8 with a minimum current of 0.5 mA.
- On Axis Frequency Response - 20 - 20.000 Hz +- 2dB
- Polar Pattern (Directivity) - omnidirectional
- Sensitivity - 6mV/Pa/[email protected] 2.5V,2.2k Ohm
- Power Requirements - 1.5 - 10V / approx. 0.5 mA
- Output Connector - RF phono jack
- Noise - S/N ratio >58 dB
- Dimensions - probe dia : approx. 5/16", 8 mm length : 12 3/8" , 315 mm
max dia : 25/32" , 20 mm
- Weight - 1 1/2 oz, 42 grams (without clamp)
- Calibration - individually calibrated. The calibration microphone and preamp for this is the Bruel & Kjaer
condensor B&K 4133 (1/2" free-field) and B&K 2639 preamp.
The IBF-MP1r is a portable microphone preamplifier that uses bias supply voltage for electret microphones. The unit was designed for 20Hz to 20kHz audio bandwidth operation and specifically for speaker and room acoustic measurements.
- Number of preamplifier channels - 1 Mic
Connectors - RF phono jacks for both inputs and outputs
- Input - unbalanced, capacitor coupled, input impedance >2kOhm
- Output - unbalanced, capacitor coupled, min load 2kOhm, short circuit protected, guaranteed output level without clipping +3dBV (full battery) Note: 0dBV=1Vrms
- Power output – 3.5mm connector, low impedance drive capability (ideal for driving long cables and head/earphone), reduced output level -5dB
- Gain Range - up to 52 dB input to output
- Frequency Response - 20 Hz - 20 kHz, +-0.2 dB (relative to 1 kHz)
- Output Clipping Level - 4Vpp (2 k• load)
- Clipping indicator LED - Red indicates clipping short attack time, long release time. Bipolar detection
- THD < 0,02%
- THD & Noise < 0.04%
- SNR > 70 dB Bias Supply - typ. 2.5V coupled via 2.7kOhm resistor
- Power - 1x 9V battery, plug-in power supply connector
- Power LED - Green indicates power ON, blinking LED indicates low batt. (Vbatt < 7V)
- Acoustic REF LED - 94dB acoustic reference LED (off / bright / weak indicates < = > 94__1 dBspl)
- -10 dBV LED – Consumer Level reference LED (off / bright / weak indicates < = > 10__2 dBV)
- Polarity - Mic input to line output is non-inverting.
- Operating Temperature Range -
0 to 40 degrees Celsius (32 to 104 degrees F)
- Power up delay – approx. 10 sec
- 34 mm x 68 mm x 120 mm (h x w x d) (1 11/32" x 2 11/16" x 4 23/32")
- Weight - 120 grams (4 1/8 oz). Battery removed
The SC-1 is a single frequency dual amplitude, self-contained field calibrator. The unit generates a 1kHz reference tone at 94 and 110 dB SPL.
- Output Frequency - 1kHz ± 0.2% (crystal stabilized)
- Output Amplitude - selectable 94dB / 110dB
- Accuracy - ± 0.5dB @ 155oF and 760mm Hg
- Temperature - 90oF to 230oF operating,14oF to
266oF storage (battery removed)
- Temperature drift Coefficient of SPL - 0 to -0.012
- Temperature Correction - Sound-Pressure-Level of
the Calibrator decreases about 0.1dB per +8oF temperature change. e.g.: at 203oF SPL is about 109.4dB (93.4dB) at 138oF SPL is about 110.2dB (94.2dB)
- Humidity - 5 to 95% relative humidity
- Power supply - 9V standard transistor battery
(Low Batt control)
- Construction - Solid state integrated circuitry in
- Size and Weight - dia 1.57", length 5.24", 5 3/4oz (without battery)
Frequency Response (FR)
Frequency response is measured utilizing a 512K (11.9s) sine sweep from 0 Hz to 200 Hz via REW (Room Equalization Wizard). The microphone is placed on the ground at a 2 meter distance measured from the center of the subwoofer driver. In the event a particular subwoofer requires a deviation from this it will be noted within that particular set of measurements. For example, if a ported/vented sub with multiple drivers requires different mic placement in order to capture accurate results, it will be spelled out within that particular subwoofer test.
A measure of how accurately a system reproduces different frequencies. In the case of audio in a home theater system, it is desirable for the frequency response of a whole system, including speakers and subwoofer, to be from 10 Hertz to 20,000 Hertz ±3dB. This performance requires a very expensive system indeed and, in practice, very few systems will produce bass down to anything like that bottom limit. Manufacturers who claim a frequency response for speakers of, say, 20 to 20,000 Hertz without specifying decibel boundaries are telling you nothing. A tinny two inch transistor radio speaker can reproduce that range, although you won't actually hear it at either extreme because its output will be so low. Even subtle variations of less than half a decibel across the audio band can be quite audible, especially if they're spread over a fairly wide band of frequencies, and can thus change the character of the sound. Indeed, with speakers the single measure most closely related to their sound is the frequency response. (Home Theater Shack Glossary)
Max Output Before Compression
Max output before compression is measured using a 2M (23.8 second) sine sweep from 0 Hz to 200 Hz. The first sweep is taken after level matching 50Hz at 90db. The level is then raised by 5 db for each successive sweep until the output level is clearly compressed. The graph reflects the last sweep 'Before'
compression is audible.
Group delay is a good indicator as to whether a subwoofer provides tight bass or a sloppier/looser type of bass. Higher numbers equals 'looser' sound.
The spectrogram takes a lot of complex information and presents it in an easy to read 'pretty picture'. For our purposes, we will be using it to determine how much additional response that a cabinet lends to the measurement. In other words, we are looking to see how much a particular cabinet 'colors' the sound or response of the driver by measuring the intensity of the vibration once the signal has stopped being generated. Keep in mind that this is measured in milliseconds and for our tests we will use 500 milliseconds as a baseline/expected response.
To illustrate what I am talking about, let's look at the measurement below. Given the information presented,you can see that this particular sub suffers from about a 300 millisecond decay at 63Hz when the signal goes from 93db to 53db. As a reference, 300 milliseconds is about as long as it takes to blink your eyes.
The waterfall measurement will be taken from the frequency response measurement and will reflect 70db to 105db. This will eliminate the chances of floor noise which can be had starting at 45db from the wind.
Harmonic distortion, in very simplistic terms, is the addition of undesirable harmonically related tones to the fundamental frequency. Harmonic distortion by component is measured using different frequency intervals and correspond to the max output level sweeps. The frequency intervals measured are 32 Hz, 40 Hz, 50 Hz, 63 Hz and 80 Hz. Harmonic distortion should be as low as possible across all frequencies.