Chris,
Go with a single direct-radiating, full range side surround for each channel of surround source material from your pre/pro. (i.e. 2 surrounds for 5.1, 4 for 7.1) Wire all in phase and let the pre-/pro do it's job, which is crating the diffuse effect. Multiple drivers producing the same signal will interfere with one another causing frequency-dependent peak-and-null patterns in the listening area.
Commercial theaters use many surrounds, initially with a single channel source, but with appropriate delays to prevent interference patterns from appearing. Use whatever your pre/pro can provide, but only 1 speaker per unique program channel.
Have fun,
Frank
Go with a single direct-radiating, full range side surround for each channel of surround source material from your pre/pro. (i.e. 2 surrounds for 5.1, 4 for 7.1) Wire all in phase and let the pre-/pro do it's job, which is crating the diffuse effect. Multiple drivers producing the same signal will interfere with one another causing frequency-dependent peak-and-null patterns in the listening area.
Commercial theaters use many surrounds, initially with a single channel source, but with appropriate delays to prevent interference patterns from appearing. Use whatever your pre/pro can provide, but only 1 speaker per unique program channel.
Have fun,
Frank