Joined
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5 Posts
Searched and read for months - backed my way in here.
A bit of an introduction - I am a bass builder and bass string manufacturer. I lend my interests to extending most instruments lower. My personal instrument is a 4 string bass tuned to 20 Hz E. My last trade show I displayed a bass that was tuned to 12.98 Hz G#.
I am just under way with my full range cabinet. It's a 3-way 15-6-1 that is shelf ported to get me near 40 Hz up to about 12 kHz. I built a ported sub some years back that has been good fun, but I want to build something that is better equipped for the reference rig I hope to have. I am a crippled designer however, in that I am a Mac guy and have had zero access to modeling software since MacSpeakerz was left in the dust.
Conventional wisdom in the MI cabinet world is that if your cab carries the second harmonic you'll have as much of the sonic structure as you need to pull off good bass representation. The three way I am building will support the instrument I have but isn't enough for the one I intend to build.
What I want to end up with is a sub that is as close to flat as I can get it from 20 Hz to 45 or 50 Hz. I have 1400 watts to use at 4 ohms (peavey dpc1400 bridged mono) and I own a Dayton Titanic 15 MkIII. I intend to come by a Behringer DCX2496 for crude analysis and crossover control.
I have to believe HT is the right place to look - the best solutions on spec I have run across are HT solutions. I have been blessed to have had access to Bag End ELF and Infra equipment, and while not flat it did let me in on the fact that there is much experimenting to do.
Any good souls willing to point me? I've been prepared to do a variation of the Titanic 15 sealed kit, but have been intrigued of late by what I've read about ported sonotubes.
A bit of an introduction - I am a bass builder and bass string manufacturer. I lend my interests to extending most instruments lower. My personal instrument is a 4 string bass tuned to 20 Hz E. My last trade show I displayed a bass that was tuned to 12.98 Hz G#.
I am just under way with my full range cabinet. It's a 3-way 15-6-1 that is shelf ported to get me near 40 Hz up to about 12 kHz. I built a ported sub some years back that has been good fun, but I want to build something that is better equipped for the reference rig I hope to have. I am a crippled designer however, in that I am a Mac guy and have had zero access to modeling software since MacSpeakerz was left in the dust.
Conventional wisdom in the MI cabinet world is that if your cab carries the second harmonic you'll have as much of the sonic structure as you need to pull off good bass representation. The three way I am building will support the instrument I have but isn't enough for the one I intend to build.
What I want to end up with is a sub that is as close to flat as I can get it from 20 Hz to 45 or 50 Hz. I have 1400 watts to use at 4 ohms (peavey dpc1400 bridged mono) and I own a Dayton Titanic 15 MkIII. I intend to come by a Behringer DCX2496 for crude analysis and crossover control.
I have to believe HT is the right place to look - the best solutions on spec I have run across are HT solutions. I have been blessed to have had access to Bag End ELF and Infra equipment, and while not flat it did let me in on the fact that there is much experimenting to do.
Any good souls willing to point me? I've been prepared to do a variation of the Titanic 15 sealed kit, but have been intrigued of late by what I've read about ported sonotubes.