Here are the port dimensions I would choose: 55,87 x 4 x 58 cm (width x height x length). A slightly smaller alternative with 4 m/s more port air velocity would be the following: 55,87 x 3,5 x 50 cm (width x height x length).
Here are the port dimensions I would choose: 55,87 x 4 x 58 cm (width x height x length). A slightly smaller alternative with 4 m/s more port air velocity would be the following: 55,87 x 3,5 x 50 cm (width x height x length).Both options will have a port width of 55.87cm
I'm not aware of exact calculations only of rough tendencies. See my earlier explanations (I highlighted some clauses for you):I think you answeres this previously, but I am still not clear; Is there a calculation to determine what side of the enclosure the woofer should be mounted in relation to the port, and where specifically on that side that it should be mounted?
Or are differences so subtle that it wont much matter where I put it?
This was it about the relation between chassis and port position. Now the more important factors of the actual position of chassis and port in your listening room:On the contrary the port positioning [in relation to the chassis] does make a minor difference. It's not like one position would mess up the entire performance but what it does is in fact influencing the port efficiency above your tuning frequency. As you probably know the sound radiation is 180 degrees in phase on the other side and thus would normally cause an almost complete sound cancellation in front of the chassis. Therefore one enclosure's purpose is either turning phase optimally to 360 or 0 degrees in order to use the back sound or destroying it (sealed box concept). Having said this one can conclude that with rising distance between chassis and port also the sound addition rises above the tuning frequency as their radiated sound waves are more in phase whereas the output around the tuning frequency stays the same because here the port resonance (delayed) already achieve this phase turn. According to measurements this turns out true but in nearly all cases compared with the tuning frequency's wavelength the enclosure's dimensions are so small that the impact here is relatively neglectable. With large floorstanding speakers the max possible port distance will give you a few extra db but not much.
Long story short - Choose it to your (visual) liking...![]()
Personally I would place the port as near as possible to the backwall in order to have less interferences (and more room gain of course plus stronger room modes[...]) and additionally like explained before as far away as possible from the chassis. Not facing directly the port could also be an advantage if there should be some air velocity noises.
Placing the acoustic source closer to walls will achieve more alignment between direct sound and reflections (not aligned phases would cause the mentioned interferences and thus sound cancellations).One not to deny benefit of inwall speaker mounting is in fact that you will get less troubles with interferences caused by the speaker to wall gap. Of course you also have more pronounced room modes but it's a lot easier to correct those sonic rises than obliterations (sorry I don't know the correct expressions here).
I think it can be generally said that facing your chassis against walls could (but not necessarily) result in "washed out" upper bass. Therefore in order to reach more clean and direct upper bass the chassis should better face the open room optimally your listening position.Mounting your chassis facing the floor will give you more room shaking but in most cases poorer sound quality (in addition having a floor other than quite a solid one would suck off some of the hearable bass).
This will result in a slightly higher tuning frequency, but assuredly nothing to worry about.Sorry, an extra brace would only take an extra .1 cu ft. Will that make a noticeable difference?