Frequency and Waterfall from REW. Note dip from roughly 80 to 100 Hz
That you call SVS and see what they have to say. A single PB13U is more than enough in a room that size, but a pair should be able to beat you mercilessly. I'm wondering if perhaps you have a configuration issue. I honestly can't envision a scenario where those two subs wouldn't have tons of excess capacity, unless that 1700 ft^3 area is just a section of a much larger room.What are your recommendations?
Settings on the sub are matched and I have checked phasing. A problem was discovered today that probably caused some of the problems I was having.Yeah, I'm with Jman on this one. I don't have any direct experience with SVS products, but I've come pretty close to doing structural damage with significantly lesser subs.
Just out of curiosity, with all the settings on each sub matched, do they actually move in the same direction when a signal is applied? Also, does the system sound significantly different with one sub turned OFF? If it does, the problem is one sub or the other. If it doesn't, the problem is either the signal or the room.
Noticed that you're using this as a video game setup... where are the subs in relation to the MLP and the main speakers? It may be that you're sitting in a null, and your neighbors are calling down curses on your future offspring... or that the subs and mains are stepping on each other and creating a phase issue that cancels out the punch you're craving.
Whatever the case, in a room that size with two of these monsters, you should already be dead.
I'm using Buttkicker isolator feet (http://thebuttkicker.com/ri-4). They do an awesome job decoupling my theater seats from the concrete floor - they make it almost as good as the wood floor effect.Are you on a slab? That would rob you in the way of requiring more output for a given tactile feel. Also, the PB13(s) are ported. In my experience, ported subs/speakers sound less tight than sealed versions. A ported model may still have good pitch-delineation and punch with the right program material, but I've experienced better punch in general using sealed models. That's in a smaller room than yours, though. Have you looked at smoothing your dip through the crossover region using phase adjustment on the subs?
I gave this a whirl. Given how small the room is with the furniture in it, I found it somewhat difficult to do. I didn't find it easy to hear the difference so I moved around with my Radio Shack meter checking the dB in various locations. I noticed some slight variations and will try to look further into it.From looking at the highly technical drawing and the description of your experience as related to seating position, I'm getting the impression that you're attempting to correct with amplification and equalization a problem created by phasing.
That is to say that in the RLP (Right Listening Position) you're near enough to a point in space where the signals from each individual sub interfere constructively. But in CLP and LLP, you are displaced from the point of constructive interference and closer to a point of destructive interference. You can confirm this suspicion of mine a few different ways.
1) Play some pink noise through the subs, and walk around the room. Observe and note points where there is a significant difference in apparent level.
2) Same as above, but take measurements with UMIK/REW in various locations away from MLP
3) Turn off either sub, and execute either of the above procedures
4) Move one sub or the other to some radically different position in the room and note changes.
The issue with attempting to fix a phase problem with power is that the problem isn't the system, but the air itself. Because of the limitations of air as a medium, and resonances (both geometric and volumetric) within the room, it is physically impossible to overcome these phenomena with brute force... unless you're willing to risk the lives of your components.
The 125 dB was from the scenes at the end of chapter 20 and beginning of chapter 21 in Batman - incredible bass. However, I have no idea what Hz it was and it would be the summation of sounds from a 5.2 system with 2 height speakers. I did run frequency sweeps (0 - 200 Hz) on my dual PB-13Us and they got to 108 or 109 dB before showing distress."With peaks of 125 – 128 dB, my left and center seats had strong vibrations and I felt a light sensation in my chest."
At what Hz is it hitting 125dB?
Design a 3-5dB hump in the frequency response curve between 40Hz and 70Hz or 60Hz to 90Hz to give you that tactile chest thump.
A flat response curve even down to 10Hz isn't exciting, it's frightening, produces pants flapping, door rattling, floor modulating, and hard breathing.
Ok... sound like you didn't experience anything as dramatic as I was hoping you would. What did your measurements tell you? How slight a variation are we talking about?I gave this a whirl. Given how small the room is with the furniture in it, I found it somewhat difficult to do. I didn't find it easy to hear the difference so I moved around with my Radio Shack meter checking the dB in various locations. I noticed some slight variations and will try to look further into it.
It was a little challenging as I was holding the Radio Shack meter in my hand, but it looked as though the greatest drop was 2 to 3 dB. It seemed more apparent to me by the meter than it did by ear as I couldn't really hear the difference. It would have been more accurate to use REW and the UMIK on a microphone stand but I didn't have enough time. I'll see how the new subs do and will repeat this process with the UMIK if things don't seem right after installing the new subs.Ok... sound like you didn't experience anything as dramatic as I was hoping you would. What did your measurements tell you? How slight a variation are we talking about?
Mathematically, 3dB is pretty significant. That represents a factor of 2 in terms of power. I guess the bigger question is exactly where you measured those drops...It was a little challenging as I was holding the Radio Shack meter in my hand, but it looked as though the greatest drop was 2 to 3 dB. It seemed more apparent to me by the meter than it did by ear as I couldn't really hear the difference. It would have been more accurate to use REW and the UMIK on a microphone stand but I didn't have enough time. I'll see how the new subs do and will repeat this process with the UMIK if things don't seem right after installing the new subs.