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SMPTE ST 2080-3:2017 'Reference Viewing Environment for Evaluation of HDTV Images' is now available for purchase from the SMPTE/IEEE digital library!

Ten page PDF download available for $80.00 non-member; $72.00 member. http://ieeexplore.ieee.org/document/7918583/

This is the long anticipated update to the original recommended practice document, SMPTE RP166:1995 'Critical Viewing Conditions for Evaluation of Color Television Pictures.'

Best regards and beautiful pictures,
Alan Brown, President
CinemaQuest, Inc.
SMPTE, THX, ISF, Lion AV Consultants

"Advancing the art and science of electronic imaging"
 

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I thought it would be of interest for serious videophiles in this calibration community to have a summary of SMPTE ST 2080-3:2017 'Reference Viewing Environment for Evaluation of HDTV Images.' The actual standards document is copyright-protected so the full text is only available for purchase from SMPTE. A partial quote that offers the essence of the document's value in understanding what it contains is from page 2:

"The creation of television images that are intended to follow a standard of consistency in reproduction requires definition of a reference display, of a controlled viewing environment, and of a set of measurement procedures to enable consistent calibration of both display and environment. This document specifies a controlled viewing environment referred to as the Reference Viewing Environment."

Video professionals have long undertood that the viewing environment must be uniform in practice when mastering programs. This is due to the environment's impact upon human visual perception. Consistent results in evaluating video images are dependent upon viewers working in standardized room conditions. Consumers who value image fidelity and authentic program reproduction in their home entertainment systems are served well by emulating professional best practices when designing and installing them.

The last time SMPTE published an official document for viewing environment best practices was back in 1995. At that time, NTSC CRT displays were the standard for both professional and consumer monitor use. A lot has changed since then.

A revision was desired to address the new ATSC HDTV standards, as well as significant advancements in monitor and television displays. Perhaps additional revisions can be expected for UHD/HDR/WCG programs and displays in the future. What we have in this recent revision includes some relatively minor changes. It also offers more detail regarding measurement parameters in setting up a reference viewing environment properly for HDTV and usage of more modern displays.

Here are a few particulars that deviate somewhat from the previous publication:

D65 ambient light level in the monitor environment surround "shall have" a luminance of 5.0 +/- 0.5 candellas per square meter (nits). This wording sets a formal standard, rather than the previous recommended practice of 10% of peak white displayed by the monitor. Coincidentally, the 5 nits surround illumination value specification aligns with recent statements by the ITU regarding usage for HDR mastering. The SMPTE document includes an interesting explanatory 'Annex A' describing the history, industry practice, and reasoning for this change in specification. A 5 nits value requires a spot photometer or spectroradiometer to measure. Previously, a 10% of peak white value could be approximated visually in the room with an appropriate test pattern displayed on the monitor screen.

The visual surround area extent (width and height) recommendation is no less than 90 degrees horizontal field of view and no less than 60 degrees vertical field of view.

The document suggests a reference monitor be placed in a free-standing environment 7 cm to 2.5 screen heights in front of the neutral gray wall providing the visual surround.

I recommend acquiring the entire document for anyone serious about image fidelity, display system design, installation, and calibration.

Best regards and beautiful pictures,
G. Alan Brown, President
CinemaQuest, Inc.
SMPTE, THX, ISF, Lion AV Consultants

"Advancing the art and science of electronic imaging"
 

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Thank you very much Alan.

This is very interesting reading.
For someone, like myself, who is not that familiar with ambient video calibration, could I ask for clarification in regards to monitor heights positioning of 7cm per 2.5 inches of the screen/minitor size.
If my Plasma screen is 55" that would mean 55"/2.5"= 22 x 7cm = 154cm .
Is the value of 154cm heights measured from the floor to the centre of the screen or from the floor to the botom of the screen?

Much appreciated.
Zoran from sunny Australia.
 

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Discussion Starter #6
Thank you very much Alan.

This is very interesting reading.
For someone, like myself, who is not that familiar with ambient video calibration, could I ask for clarification in regards to monitor heights positioning of 7cm per 2.5 inches of the screen/minitor size.
If my Plasma screen is 55" that would mean 55"/2.5"= 22 x 7cm = 154cm .
Is the value of 154cm heights measured from the floor to the centre of the screen or from the floor to the botom of the screen?

Much appreciated.
Zoran from sunny Australia.
The recomendation is to have the monitor screen some distance away from the wall behind. It says "to" not, "per," as you suggest. In other words, a distance of somewhere between 7cm (2.75 inches) and 2.5 times the height of the screen. That's quite a range of distance to choose from. In your cited case of a screen 55 inches high, it would be somewhere between 2.75 inches and 137.5 inches (~11.5 feet) away from the wall behind it Professional monitors are typically much smaller than 55 inches in height, and used in relatively small work spaces. Here's a link to a photo as an example:
https://www.facebook.com/CinemaQuest.Inc/photos/a.430032580689457.1073741827.430027284023320/430032520689463/?type=1&theater
 

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Discussion Starter #7
From ITU-R BT.2100-0-(07/2016) 'Image parameter values for high dynamic range television for use in production and international programme exchange,' page 3

Table 3 specifies parameters to establish a reference viewing environment for critical viewing of HDR programme material or completed programmes that can provide repeatable results from one facility to another when viewing the same material. Viewing facilities can and will continue to be established in many ways by entities involved in editing, colour correction, screening and the like, and the specifications in this Table are not intended to suggest a need for absolute uniformity in such facilities.

TABLE 3
Reference viewing environment for critical viewing of HDR programme material

Parameter-- Values

Background and Surround (3a)-- Neutral grey at D65
Brightness of background-- 5 cd/m2
Brightness of surround-- ≤ 5 cd/m2
Ambient lighting-- Avoid light falling on the screen
Viewing distance (3b)-- For 1920 x 1080 format: 3.2 picture heights
--For 3840 x 2160 format: 1.6 to 3.2 picture heights
--For 7680 x 4320 format: 0.8 to 3.2 picture heights
Peak luminance of display(3c)-- ≥ 1000 cd/m2
Minimum luminance of display (black level)(3d)-- ≤ 0.005 cd/m2

NOTE 3a – Background and Surround are defined in CIE 159:2004 "A Colour Appearance Model for Colour Management Systems: CIECAM02".
NOTE 3b – When picture evaluation involves resolution, the lower value of viewing distance should be used. When resolution is not being evaluated, any viewing distance in the indicated range may be used.
NOTE 3c – This is not to imply this brightness must be achieved for full screen white, rather for small area highlights.
NOTE 3d – Actual black level would be set using a PLUGE signal and may differ from the indicated value.
 
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