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Onkyo 818 w/XT32 subs never sound right!?!?

11780 Views 44 Replies 13 Participants Last post by  Mechsmoto
I have been struggling trying to get what I feel is the proper sound from my equipment. I'm definitely a bass head so to speak, but I always have been in search of clean and clear powerful sound. The Onkyo txnr 818 uses xt32 which is supposed to be all that and then some. For me, it's been a headache that I wish I never started. I have a pair of psa xv15's. These are supposed to be some pretty nice subs. Yet, with this Onkyo I'm just not hearing what everyone is talking about. The receiver asks for me to calibrate the sub to 75db prior to running audessey. This means 70db each... Which results in very weak bass. It also sets all my speakers to high negative numbers--9.5 fronts, -12.5 center, -10.5 rears... Sub 0. If I raise these numbers the sound improves but the reference volume of zero decreases by the same number. The subs can play much much harder than audessey is allowing them to... For example if I turn off my emotiva xpa-5 amp so I can hear the subs only... I can play bass heavy music with dynamic eq on and turn the subs gain to 2:30 and have extremely powerful clean stress free bass... Exactly what I want. But as soon as I get to a bass heavy scene in the movie I get a rolling off kind of sound at that same number of dbs below reference volume. Basically what I mean is I can run the subs as hot as I feel like with music to full reference.... Yet for a movie... If I try 1db more than what audessey sets the system at-- the subs refuse it-- speakers are all fine... What am I doing wrong?!?
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I have the 818 also, but am using the onboard amp for my mains. I also have 2 subs. I used the setup as you have with xt32, but my settings are much closer to zero, or within negative gain of only a few db with some of the surrounds. My first thought is that your gain is set too high on the XPA-5, making the mains more dominant than the subs. My subs are also more dominant with music with the 818 - I prefer the Studio Mix setting for music. As far as the subs being quiter: many state that they feel that Audessey is 3-4db light on the subs. I find this true to a point, but more like 6db light for my taste for movies, 3db light for music. Us bassheads expect bass right up front and plenty of it, but it seems like properly edited movies use it when needed, so it seems like it is not nearly enough bass. So I guess my point is that it is almost setup like it should be as XT32 thinks it should be, so tweak it to how you like to hear it from there.

Oh, welcome to Home Theater Shack!
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Curious as to why you have the pair of subs set at 70 instead of 75 db on the Audyssey mic when doing the calibration. I have basically the same receiver, the tx-nr929, same XT32 calibration, and dual 10" RSL subs in a 9.2 setup.

I set the subs to the same crossover point and same gain level on each of the sub's control panels and then adjusted them simultaneously with the subs' remote control until combined they read out 75 on Audyssey's setup calibration.

Everything seems fine on my setup. (also am using the Onkyo's on-board amp in the receiver, not a separate.). Lots and lots of bass, no localization, everything is how I had hoped.

Just hadn't heard of any manual adjustment for dual subs when running Audyssey.

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Out of troubleshooting what happens if you just calibrate for the 1 sub and not both?

I'm wondering if maybe your getting bass canceling.

Also what happens if you shut Audessey off with both subs on
I would also double check your sub placement. How did you figure out where to place them? Check out this video for sub placement.

https://www.google.com/url?sa=t&rct...04HoDw&usg=AFQjCNHfieeBa-u97kB95SqvmIFKoaVPpg
OP:

Do you have large, floor-standing mains? If so, try overriding Audyssey and enter these trim levels and crossovers in your Onkyo:

Front L&R Crossover: 60Hz
Center: 80Hz
Surrounds: 80Hz
LPF of LFE: 120Hz

Left Front Calibration: +6dB
Center Calibration: +8dB
Right Front Calibration: +6dB
Left Surround Calibration: +6dB (if both surrounds are EQUIDISTANT from the sweet spot)
Right Surround Calibration: +6dB (see note above)
Subwoofer Calibration: +2dB
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How good is this onkyo amp?
Compared to what?

If you can still find an 818 available, they're a great deal. The new-model closest equivalent would be the 929 which I have and am completely satisfied with. Love it. Running a 9.2 rig in a 2900+ cubic foot home theater with RSL Speakers. (www.rslspeakers.com)

Don't think I could be happier.

Sent from my iPhone using HTShack
Compared to what?

If you can still find an 818 available, they're a great deal. The new-model closest equivalent would be the 929 which I have and am completely satisfied with. Love it. Running a 9.2 rig in a 2900+ cubic foot home theater with RSL Speakers. (www.rslspeakers.com)

Don't think I could be happier.

Sent from my iPhone using HTShack
onkyo 616(399) vs 717(499) vs 818($699)??'
The 929 is like $1300 way out of my budget
That's what makes the 818 such a HUGE steal.

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I agree, the mic placement is crucial and make sure you do as many readings as possible even if it mean moving the mic a couple feet forward in front of the listening position.
I also agree that running audyssey with only one sub first and then adding the second one after and tweaking the settings on that sub using it's own adjustment will yield much better results.
I agree, the mic placement is crucial and make sure you do as many readings as possible even if it mean moving the mic a couple feet forward in front of the listening position.
I also agree that running audyssey with only one sub first and then adding the second one after and tweaking the settings on that sub using it's own adjustment will yield much better results.
Agreed, also, maybe the OP should try to gain match with a SPL meter first instead of with Audyssey. That's what I did instead of relying on ARC. Before gain matching with an SPL, (measuring just with the correction software ), for some reason, I could clearly localize the LFE on my right side. I ended up with the gain for the left side a couple of notches higher for some reason.
Looks like Mechsmoto was a one-poster... came and went. :huh:

I bet he had a large peak in his response. He level matched at the highest SPL of that peak. All other frequencies were significantly below that peak. Audyssey sets levels first, then equalizes, so it took out the peak and his levels are now overall really low.

He really needs to measure his room response and see what's going on without Audyssey.
Looks like Mechsmoto was a one-poster... came and went. :huh:
This tends to happen a lot in the online forum community...:rolleyesno:
does this mean that you need a second mic even with xt32?? does that mean xt32 dosnt eq subs or what?
does this mean that you need a second mic even with xt32?? does that mean xt32 dosnt eq subs or what?
No. Only 1 mic. Needed

Yes. it eq subs.....but.....

Audyssey Sub EQ HT can EQ dual subs separately.
However saying this the 818 model doesn't have this feature. Now you might say why buy it....

This is not a problem if you have 1 sub like most people do. That is why it is so popular.

My opinion-If you have 2 subs I would want to make sure I had sub eq ht so I can have the subs independently eq'd.
Actually Sub HT EQ does not independently EQ two subs. It sets the distance and level of each sub and then EQ's them as one. If you have two subs and they are equidistant from the primary listening position, then you do not have to have Sub HT EQ, as you can simply feed the sub out to both subs, or your sub amp.

My previous comment has to do with Audyssey NOT being able to deal with really large peaks and it causing your sub level to be too low. If you want to see what your room response is prior to Audyssey, then yes, you will need a separate mic and Room EQ Wizard. I recommend it for everyone, not only to see what your room response is prior to Audyssey, but also to see what Audyssey does to your response, particularly sub response.

You can look at the section in my 4520 review (link in sig) that is titled: Is Audyssey all you need in your system for equalization?

If you have subsequent questions about this, please ask in the 4520 review discussion thread. If you have questions about REW or microphones, etc, please ask those in the appropriate forum.
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I only realised about how SubHT works recently and the only thing I felt I was losing out on was the independent delays (since setting/balancing levels can be done using the sub's gain anyway), so I grabbed an 818 as an end of line deal. Despite coming from a pretty high end (but old) Arcam processor I'm really happy with the 818, though running two subs has it's issues with the 818 I've ended up with a decent result.

Of course the 818 sub delay setting is a compromise since it's measuring two subs together, but soon I plan to build my own pair of matching 15" subs instead of the mismatched pair I'm currently running (10" sealed and 12" ported).

My plan is to use the DSP function in the sub amp I'll be using (Beringer NU6000DSP) to sort delays out as one sub is half the distance from the MPL compared to the 'main' one. This is a delibrate move based on REW room sim calculations which means that the second sub will fill a null I otherwise would have with a single sub. I'm also planning on using the DSP and REW to smooth the pre Audyssey response as much as I can to help avoid issues that the OP may have been suffering with a big peak(s) causing misreading. Hopefully this should result in Audyssey being able to do it's best for me.

FWIW when I first set up my 818 I'd inadvertently set my second sub phase to 180 degrees. Some measurements I made highlighted this mistake and putting the second sub back to 0 degrees and re running Audyssey really improved the bass (along with 2-3dB increase). So IMHO it may be well worth trying out phase settings on the second sub if using an 818 or other amp that doesn't have SubHT and measuring first too.

Considering my 818 replaced a processor with a retail price 3 x higher I think it's doing a great job (it was only meant to be a 'stopgap' while I search for a deal on a newer processor). I'm using a separate power amp to run my M&K 150 series speakers, but the 818 powers the surrounds. I'm also enjoying having front height speakers too (no room for front wides, but I already had surround backs, so now a 9.2 setup :T).
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I was going to suggest getting a DEQ2496 for dual subs and delay, PEQ, graphic EQ, Dynamic EQ and shelf filters... but if you have the Inuke with DSP, you should be fine.
Hi guys!!...

Forgive me for starting a thread and then becoming "mia"!!! I have an update that is going to go in a few different directions so please just keep reading.

First off, the original setup was Onkyo 818, emotiva xpa5, Polk monitor 70, cs2, and tsi200 (rears) ran 5.1 through dual spa xv15's.

I'm in no way shape or form an expert in anything home theater. However, I've been a mechanic for 15 years... and a very very good one at that. Point being, I get paid to "trouble shoot"... I am relentlless. If there is a problem, I MUST know what it is... and how it can be fixed.

I purchased the above components beginning if the year. I've had pretty much everything you can buy from the big box stores at one time or another.... and have finally been able to work myself into what I consider to be a fairly solid "midrange" kit.

Right off the bat, the 818 never sounded right, nothing I could do would fix this... no changing of settings, running subs hot, sub crawl, a million different xt32 calibrations, I mean NOTHING would make the lack of mid bass, and deep bass, or distorted highs away.

So I decided to add the xpa5 into the equation, hoping it would help with mid bass, and highs. As the monitor 70's have four 6.5" drivers in each tower, so mid bass shouldn't be a huge issue for them. However, even adding the xpa5 didn't really seem to help. Lots of harshness after raising the master volume above -10db... no midbass....

Ok ok, I thought.... maybe it was my dual psw 505's??? There were surely the weakest link. So I got the spa xv15's...2!!! Guess what?!?!? Stiiiiiiiillll sounded like !!!! I'm easily $reaching $4000 and nothing is helping...!!!!

Thank goodness I had contacted onkyo immediately, letting them know within 30 days... There was something NOT right with the reciever. Long story short - kind of... I had purchased it from NEW EGG killer deal $ last December. Unfortunately, I'd made the mistake of throwing away the box--- which gave NEW EGG an easy way to "fine print" me out of Wm swapping out the unit then. I decide to reach out to ONKYO... end up talking with Talla Garcia--- super sweet lady!!!--- don't get me wrong, this took months of emails back and forth... to finally get in touch with her, and convince her that the 818 was indeed defective. Once convinced, she kindly sent me a new box and packaging along with a prepaid label to return the unit. Result???? Faulty HDMI BOARD!!!!!!!!

They wanted to repair the unit per terms warranty, again, thankfully I had contacted them prior to the unit being 30 days old notifying them if the issue. Many more emails, and another one to Jack Cooper and boy did ONKYO step up to the plate and back up their product!!!!! They sent me a brand new 929 as a replacement! !!!!!!! I'm sure this almost never happens.... but in this case.... they went above and beyond!!! I can't thank Talla Garcia, Jack Cooper and Onkyo enough for truly taking the steps necessary to take care of me as a customer.!!!

immediately upon receiving the new 929 and making the appropriate connections. .... WOOOOOW IS ALL I CAN SAY!!!! I've had it nearly a month and haven't even thought about running the pre outs to the xpa5. Clean clear power to full reference in my small- but heavily treated theater room. No harshness, deeeeeeeeeeeep bass, full mids...... everything I was searching for!!!! Woooo hooooooo!!!!!!
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